Nov 21, 2022
“Beauty is in the eye of the beholder”, so the saying goes but it's absolutely true. There is a layered subjectivity to it based on personal preference, the cultural standards of your community, the ethnic traits of you and your peers, prevailing global fashions in appearance, the dominant archetypes in the media and so on. All these things combine to form our personal subjective ideas of beauty. You can see this yourself if you look at paintings, statues, masks, frescoes and other artifacts that have been produced by all the diverse cultures on earth over thousands of years: there IS no standard, eternal, objective of beauty.
Topics and Show Notes
Years ago a plastic surgeon thought he'd cracked the secret. He wrote a book about the idea of a mathematical, objective beauty model based on symmetry. Of course any artist could have told him it was absolute nonsense for any number of reasons, but popular books based of pseudo-science gain a lot of traction among the majority of people that don't tend to be able to think too hard about these questions and crave easy solutions.
There are two competing, rudimentary forces at the base of the idea of beauty:
One part is based on conformity: becoming the most generic, simplistic, ordinary, average version of something. Symmetry is a big part of that. This is what that sort of cosmetic surgeon specialises in. We can surmise this comes from the drive to find things that look like us (i.e. our tribe), and is the best representation of “us”.
The second part is based on novelty: What makes this person stand out, what makes them different and unusual.
And then cultural standards, popculture, fashion and many other factors add layers of complexity to these.
*A note on symmetry:
Part of the mistaken notion that inflated its role in “beauty” was the idea that it's an indicator of health or “good genes”, which is false. The reason for symmetry in bodies is just to make the coding simpler. Recent studies have confirmed this: just like when an artist wants to save time by using a mirror or copy, pasting and flipping to make a face or body, nature does it for the same reason.
We talk about it in much greater detail in the Quackcast! Who do you find beautiful?
This week Gunwallace has given us the theme to Phineus Teen Wizard - Thrumming 80s groove. Synthesised neon soft pink glow in the midnight blue fuzz. We’re going back in time… roll up the sleeves on your red leather jacket, slip on your fingerless gloves, lace up your hightops, get on your BMX bike and peddle back through the decades to 1983!
Topics and shownotes
The Faceless Comics Set 1 - https://www.theduckwebcomics.com/news/2022/nov/15/featured-comic-the-faceless-comics-set-1/
Phineus Teen Wizard - https://www.theduckwebcomics.com/Phineus_Teen_Wizard/ - by Phinmagic, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
Banes - https://www.theduckwebcomics.com/user/banes
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
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Jan 10, 2022
“The Girl Boss in the sausagefest” Pitface and Tantz chat are here to chat with me about the subject or lady Barbarians: What they look like, where they originated, why they originated, what they mean, and the logic behind them. They're often overshadowed by their male counterparts (e.g. Conan), and often dismissed as simply an erotic male fantasy, but they've been around just as long and they've also had just as much of a role to play in the traditional “barbarian” mythos as the male versions. Sure, the sexy versions are abundant, iconic, and visually striking, but they're not the be all and end all!
Oct 22, 2018
Fear: What are we afraid of? Why do we like or do not like media that may reflect these fears or lead us to new ones? How do such comics inspire fear or similar reactions within us. DO we like horror because we like fear to an extent? This Quackcast is about horror comics, how they work and why we like them. We chat about many of the horror comics on DD.
Jun 11, 2018
We have community contributions for this Quackcast! Many DDers told us about their best work and we read that out and chat about in on the Quackcast. We talking about promoting comics through DD's Twitter account. The DD awards have begun, get in on them and get nominated! Tantz Aerine wants to promote comics so send stuff to her.The we had a really long and interesting chat about Comisgate and Mark Wade and then Pitface had a meltdown :D This week Gunwallace has given us the theme to Completely unrelated. Slide into coooooool. This is crystal white acrylic decor, this is a level above, this is music for the sophisticated. Feel your stresses melt way as you float off with the smooth jazz. Pure pleasure.
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!
Feb 29, 2016
Welcome to D.U.C.K. Radio! Get ready for your DJs: Smooth Ramone, Hard rock Jimmy Storm (BRINING THE THUNDER!!!), Weatherman Rhet Blanket, Conspiracy theorist Smiley Fraudson, and hilarious* Maple and The Syrup (*they're not funny). This is the first part of Radio DUCK, we're bringing you ALL of the fantastic themes Gunwallace has composed for many great webcomics. You got a small, tiny, insignificant taste little taste of it in Quackcast 258, now be prepared to take the FULL blast! 29 of Gunwallace's classic themes in this cast and two more casts to go to get the rest so stay tuned. Gunwallace radio - All great music all the time!
Jul 5, 2015
In this Quackcast I interrogated Mr Banes on the subject of his first newspost: Contrasts. It's a subject near and dear to him, even his comic "Typical Strange“ has its name based on the concept, i.e. two words with the opposite meanings put together to create an effect. In imagery contrast is used to make darker shapes appear darker and lighter shapes lighter and to create a tension where those areas meet at the penumbra. In writing and comics it's much the same, ”laughter and tears“, ”good and evil", a sad scene contrasting with a joyous one etc. Contrasting makes both contrasted elements appear far greater than they really are, as well as serving as a source of tension, conflict, or humour. Banes and I talk about this in a rambling fashion. Gunwallace has a special treat for us today with a brilliant theme for Dead Leon! You'll want to ask him for a copy of his one ;)
Oct 26, 2014
For the Halloweencast Banes and I will be journeyed beyond the veil, down into the depths of webcomic HELL… There, we encountered the LOST and the DAMMED: the tormented souls of abandoned webcomics that were ended before their time. Deep underneath the black, soaring Gothic spires of DD HQ lie the labyrinthine catacombs, dry, dusty crypts, and ossuaries where the bones of old abandoned webcomics go to rest and moulder away, their lonely souls pining for the time when they could see the day and frolic in the sun, with viewers to keep them company. Watched over by the great demon Death Porn and harried by mischievous spriter sprites, the poor souls languish in their solitary torments, hoping to one day be reborn anew! For the Halloweencast, Banes and I asked for contributors to name some of their old lost faves so we could pay our respects to these tragic cases, give them a voice once more, and hopefully return them for a few brief moments to the sun again by sending some more viewers their way.