Jul 26, 2020
It's just Banes, Tantz and me today, chatting about the important topic of continuity! How do you maintain it, what continuity errors have you made, what continuity errors have you noticed in media? What's the difference between character continuity, story continuity and chronological continuity? - Something you notice when you watch or read a series in chronological order that was were NOT produced or meant to be viewed that way.
Topics and Show Notes
A good example of that is the Discworld novels by Terry Pratchett. If you read those in the series order, say all the Witch books, Wizard books, Guard books etc as concurrent series then the “Discworld” stops making any sense because Pratchett's writing and the character of the world changed radically over the time that he was writing it. The Discworld was a massively different place in his later books from the wild, chaotic, sexy sword and sorcery spoof it started out as… in later novels it becomes a far more serious and ordered, well defined place that's basically a fantasy steampunk version of Dickensian 19th century London, with a taste of Northern England, Greece, Italy and Egypt and other places thrown in for flavour. It covers serious topics in a philosophical and humorous way, a little left wing and a little righteous. In earlier stories the world leans more to spoofs of popular fantasy tropes from Fritz Leiber's famous Fafhrd and Grey Mouser books, Robert E Howard's Conan, Anne McCaffery's Pern, JRR Tolkien's Lord of the Rings and so on.
So that if you read them in any order than which they were published the continuity of the world won't make sense.
Similarly if you watch the Star Wars Prequels before the original trilogy you run into the same sorts of issues… Then of course there are the continuity errors you make as a creator. Usually it's because you took too long to make a page and failed to read forward over the new scripted pages and back over what you'd already done. I run into that all the time! What are your worst continuity mistakes?
Special mention of Marvel's Mark Gruenwald who looked after continuity from them in a big way back in the day (Apparently).
This week Gunwallace has given us the theme entitled “How to Half Ass a Theme to How to Half Ass Porn Webcomics”
For: How to Half Ass Porn Webcomics the Tanza Late Way - This one is a slow started but as soon as it takes off it lets its full groovy glory show, dancing to the sounds of a wiry electric guitar dressed in a batik kaftan and brown corduroy fares, incense smoke swirling around, noxious and enveloping like the sounds of this cool little tune .
Topics and shownotes
Banes Newspost on Continuity - https://www.theduckwebcomics.com/news/2020/jul/22/continuity/
Goddard and Grey - https://www.theduckwebcomics.com/news/2020/jul/21/featured-comic-goddard-and-grey/
How to Half Ass Porn Webcomics the Tanza Late Way - https://www.theduckwebcomics.com/How_to_Half_Ass_Porn_Webcomics_the_Tanza_Late_Way/, by Arspitzer, rated A.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
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Mar 18, 2019
There are many kinds love. Love is a great thing to include in your story for all sorts of reasons: it's an easy way to develop characters, give a character something to strive for, it's universally relatable, You can use it for tension, all sorts of things! There are different kinds of relationships you can use as well, not just heterosexual or homosexual relationships and the common trope of showing the beginning of a relationship, you can show crushes, established relationships, platonic relationships, relationships collapsing and exes coming together. For this topic we were loosely inspired by Tantz and Emma's great newsposts about romance and platonic love. We chat about luuuurv and tricks like lurv triangles!
Jan 2, 2017
What defines evil in fiction? I say the simplest one is bad guys are selfish, good guys are selfless. That is massively over simplistic but it's a good easy template for basic hero's and villains. Basic ones I was just doing a quick thought experiment to work out an easy way to define “good” and “evil” characters in fiction. The more selfless someone is the more “good” they are: the more they think of others, want to help people, put the needs of the masses first, the more willing they are to reach across to their enemies etc. The more selfish a person is the more “evil” they are: if they don't consider the needs or feelings of others, help out their own small group and let others suffer, help themselves first. Of course there are many other more advanced aspects, especially if you consider the relative nature of these things: the idea that everyone thinks they're the good guy from their own perspective, being cruel to be kind, being too authoritarian and heavy handed in the use of power, NOT using power when you should, helping in a way that only SEEMS destructive and selfish, trying to help but causing destruction and chaos in the process, which brings us to the dreaded “unintended consequences”. BUT, the selfless/selfish equation is a nice simple starting point to build from. In the Quackcast we discuss these aspects as well as more advanced notions about what makes a good evil character, what makes a bad one, humanising evil, and weakening you evil character by humanising them too much. Gunwallace's musical theme was for The Cull: Dark, haunting, and compelling- Eastern European Jewish, country and rock, reminds me of Tracy Bonham’s later work.