Nov 4, 2019
“Toxic fans” is a bit of a catch cry now and that has seemed to turn into the idea that any fan who is critical of something or doesn't like it isn't a “true fan”, fans must should love everything. I find this a dangerously silly notion and one clearly driven by business interests with only a limited relationship to reality. It's quite similar to the idea that you're “either for us or against us”, the twisted idea of “patriotism” that says you must agree with and love everything your country and your leader does no matter what or you're a traitor.
Topics and Show Notes
The truth is that trolls have always been a minority force. They exist and they are nasty, often sexist, racist pigs, but they're certainly not fans and don't characterise real critical voices. Using the existence of trolls to justify shutting down criticism is silly. In reference to this Tantz and Banes bring up big budget mass media productions like Star Wars, Game of Thrones and Ghost Busters, but I was thinking along more general lines: Good fans are people that love something but also care enough about it to think about storylines, characters and deeper aspects of that thing (it doesn't matter what it is), to have constructive opinions or to be upset when they see their characters misused etc.
People who are not fans and who really shouldn't get involved in the discussion are the “it's not for you” or “it's just a movie” crowd. Everyone knows it's not real life, and a creative product is “for” anyone that cares enough about it to consume it and form an opinion.
As Vickie Boutwell said “the opposite of love isn't hate, it's apathy”.
Fans who care are the best fans: it's these people who become creators in their own right while others simply consume. The greatest minds in pop-culture all started out as critical, thinking, fans. Name any successful, big series in any format (TV, movies, books, comics, games), and you're likely to uncover a fan that cared enough to let their opinions of their fandom show and then get in and have a go for themselves. By encouraging criticism and involvement we encourage creativity, by shutting that down all we get are consumers -which gives you a clue where that pressure is mainly coming from. ;)
This week Gunwallace has given us the theme to Ripping off King Arthur: We’re all preparing for the big event here with this theme. It’s a weird mixture of a Rocky theme, fantasy epic, and 8 bit video game music… as if were were about to see a pixelated, medieval fantasy themed version of Mortal Kombat! The fight showdown to end all fight showdowns!
Topics and shownotes
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Game of Thrones writer gossip - https://www.youtube.com/watch?v=o-rCuVtj7GA
The jacket Comic - https://www.theduckwebcomics.com/news/2019/oct/29/featured-comic-the-jacket-comic/
Ripping off King Arthur - https://www.theduckwebcomics.com/Ripping_Off_King_Arthur/, by Arspitzer, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/Banes/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
May 20, 2019
Betrayal is an interesting thing to use in fiction. You can have betrayal of your nation, your organisation, friends, lovers, religion, beliefs, self. In stories it can be used to add a nasty twist or completely change the flow of events and alter the balance of power in a dramatic way! It can be devastating in relationships. The story of Judas betraying Christ for 30 pieces of silver is one of the most famous betrayal stories and became so iconic that the phrase “30 pieces of silver” or just the word “Judas” became synonymous with the act. Of course the inspiration for the best treachery and betrayal comes from real life and the names of the betrayers often echo down through history. IFrom Rome we have Brutus, in the USA the name “Benedict Arnold” has a similar meaning to “Judas”, the 20th century gave us the term “quisling” after the Norwegian political leader Vidkun Quisling who sold his country out to the Nazis.
May 13, 2019
Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many different ways. They can be a specialised type of supporting character that are also a main character or they can be the main protagonist in some cases. In comics sidekicks came in during the early days as a way of giving juvenile readers their own insert character who they could identify with… Bucky Barnes, Jimmy Olsen, Robin etc. They had other functions like giving the hero someone to save, providing commentary, reaction and exposition. Later when that kind of sidekick fell out of favour they became superheroes in their own right.
Apr 29, 2019
On one side we have creators of content and on the other we have the consumers. The consumers number in their billions and they're voraciously hungry for constant stimulation! Pretty much all creators are consumers too… So why don't they want the beautifully made, clever, spicy, artisanal dish you're selling? Why do they prefer the nice, bland, familiar mass-market high in fat, sugar and salt fast-food of the mainstream instead?
Mar 18, 2019
There are many kinds love. Love is a great thing to include in your story for all sorts of reasons: it's an easy way to develop characters, give a character something to strive for, it's universally relatable, You can use it for tension, all sorts of things! There are different kinds of relationships you can use as well, not just heterosexual or homosexual relationships and the common trope of showing the beginning of a relationship, you can show crushes, established relationships, platonic relationships, relationships collapsing and exes coming together. For this topic we were loosely inspired by Tantz and Emma's great newsposts about romance and platonic love. We chat about luuuurv and tricks like lurv triangles!
Oct 15, 2018
Amelius of the magnificent and eternal Charby The Vampirate returns to the Quackcast today! Amelius was the first person we every interviewed and Charby the Vampirate has been on Drunk Duck exactly as long as Pinky TA: since January 2004! Tantz and I chat to her about the new Patreon she has going for Charby and all the amazing bonus perks you can get on it. If you're a Charby fan you should definitely get in on that. Amelius has also agreed to join us on DD to do newsposts every week! So you will be seeing some cool content from her regularly. She has a LOT of comic making experience to impart.
Aug 21, 2017
Romances don't always have to be the main focus of a story, infact you can have richer, more interesting romances if they occur in support of a bigger plot issue. It can lend them and the story more weight if they're in a secondary position. Characters can form natural, less forced relationships with each other, and this can give the wider plot of the story more urgency or meaning because it has a direct bearing on the health of their union. You can reward fans with a wished for or unexpected blossoming of love between two favourite characters without having the same inevitability that a straight out romance has. Really, there are so many things you can do! This was inspired by Tantz's Saturday newspost. Gunwallace's theme for the week was for Mindfold: A tune that fits very well with its title! You can feel your mind folding with this gorgeous, echoing, evocative multicultural influenced sound, featuring all manner of crystalline ringing synths, soaring violins, drums and so much more. This would fit well with a high concept cyberpunk anime.
Jul 10, 2017
Starwars, Ender's game, Captain America… All these are great examples (or bad ones) of “retcons”. But what IS a “retcon”? What it means is that you go back and change an established work by adding new information that has the effect of changing it in a small or significant way. You might do it in your comic, or a director might do it to a movie series, like George Lucas did famously with Star Wars: introducing concepts like “midi-chlorians” as an explanation for the force, having Han shooting Greedo second, sticking Hayden Christiensen in Return of the Jedi, among other things. A lot of the time this has the effect of pissing off audiences who've consumed the story and enjoyed it because it alters or even destroys the understanding they've built up based on it and the relationship they have wit the work. Retcons happen frequently in the comic world because publishers have to keep their franchises interesting and saleable to audiences, so origin stories get updated all the time for example. A huge recent retcon was Captain America revealing he'd been a long time sleeper agent for Hydra, which has the effect of messing up stories going back over 50 years… The writer Orson Scott Card had a great deal of success with his novel “Ender's Game”, but for some reason he can't stop retconning it, going back and adding and editing new bits and re-publishing it every few years, and most egregiously penning prequels from another character's perspective that retcon the original story entirely. As web comic creators we have the role of god-author so we all have the temptation to retcon at one stage or another. Can it ever be a good thing? Is it worth pissing off readers who have an emotional investment? Gunwallace's theme for the week was for Optimum: the future is here and it’s in space! This tune is so upbeat, positive, fun and futuristic, it really exemplifies the cute colourful graphics of Skreem’s comic.