Jun 2, 2019
This Quackcast was inspired by the fan reaction to Game of Thrones, a series that I haven't watched but Tantz and Banes have! Specifically it's about poorly written endings and gas-lighting fans rather than admitting to faults.
Topics and Show Notes
No matter how great we are at writing (and the GOT guys MUST be good to have created such a popular show), that's no proof against writing a poor ending. Endings are the HARDEST things to do well, it's devilishly easy to flub them. Most fans of the GOT series seem disappointed, which would indicate it's more likely to be a bad end than them not “getting it”, but that seems to be the narrative. And we've seen that happen before with things like the Mass Effect Game series, the Battlestar Galactica reboot, Dexter, Lost etc.
The industry has to support their talent so they'll defend the poor work regardless and gas-light the fans. To be fair,poor endings can be beyond the control of the creators: lack of budget and a mental breakdown gave us a very improvised end to Neon Genesis Evangellion… the creators did the best with what they had.
But the lesson I take away from this is that sometimes, just sometimes, fans are right, and we should listen to them when we're creating. NOT by giving them the silly shipping and fan-service they secretly dream off, but to help us realise when we're veering wildly off-target.
This week Gunwallace has given us the theme to Embrace the Pun - In the words of the great man himself: “sax and violins … it's a musical pun as a theme tune.” The measured, stable regularity of the violin and quiet percussion are contrasted starkly against the wild wanderings of the jazzy Saxophone as it stomps into the room, kicks over the carefully arranged furniture and pees on a pot plant.
Topics and shownotes
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Completely Unrelated - https://www.theduckwebcomics.com/news/2019/may/27/featured-comic-completely-unrelated/
Embrace the Pun - https://www.theduckwebcomics.com/Embrace_the_Pun/, by BarryCorbett, rated E.
Contributions red from this thread - https://www.theduckwebcomics.com/forum/topic/178163/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
May 27, 2019
What are the different expectations for female and male audiences? This almost entirely a culture based thing, it changes depending on where and WHEN you are from as well as your age and experience… but some obvious things are determined by our physiology: sex sells, but there are slight differences based on gender. I wasn't interested in the “why” (genetic predeterminisim or evolutionary psychology), just the “what”.
May 13, 2019
Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many different ways. They can be a specialised type of supporting character that are also a main character or they can be the main protagonist in some cases. In comics sidekicks came in during the early days as a way of giving juvenile readers their own insert character who they could identify with… Bucky Barnes, Jimmy Olsen, Robin etc. They had other functions like giving the hero someone to save, providing commentary, reaction and exposition. Later when that kind of sidekick fell out of favour they became superheroes in their own right.
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!
Jun 29, 2015
Today Banes and I talk about the subject of fan service in comics (and other pop-culture). This Quackcast was inspired by a newspost by HippieVan of that same title. We're helped in our discussion by the really interesting contributions of many smart people on DD... that we read out in High-larious voices! Is fan service a good thing? How do you think about it in stuff you read and see? Do you put it in your own work? Why? Why not? These were some of the things we talk about on the subject. Also, catch Gunwallace's great theme for Grueson!
Mar 16, 2015
Have you heard the word about the DD Fashion Show Free For All that's currently going on? No? Well now's your chance, so listen up good! Banes and Ozoneocean interview VinoMas aka Travis Michael Moore about the great community project he's running. Here's the low down: You go to the Fashion Forum in the links here (http://www.theduckwebcomics.com/forum/13117/), desing an outfit for one of the figures there and post it in the catwalk thread for all to see and admire! You can put the outfit on your own figure and offer your own figure up for use as a model too if you like. Join in the fun, it's super easy. As long as you're a member of the forum and know how to host pics on photobucket.com or some other image sharing service you're all set! NOW GO TO IT!!
Jan 18, 2011
This podcast is Part 2 of Episode 11, where the interview with guests Amelius and Evil Emperor Nick (of Charby the Vampirate and Cwen's Quest) continues! Lots of discussion about writing and influences in this half as well as some good advice.