Episode 497 - It's just kid's stuff
Sep 21, 2020
Today we're talking about the idea that entertainment aimed at kids can only be enjoyed by kids and the reason that adults often don't like kids things is because adults just don't “get” them. I contend that everyone, of all ages should be able to enjoy General or kid rated media and the true reason we don't is not because it “isn't meant for us”, it's because it's simply badly written - specifically, it's not the content that's annoying, it's the structure.
Topics and Show Notes
The reason why some kid's shows are so boring and awful to an adult audience is mainly because the creators are lazy with their use of tropes, cliches, plotting etc, which they do because they're underestimating their audience. They don't think their audience is worth the time and trouble to write a decent story for so they reuse plots and take shortcuts. To some extent they can get away with it because children don't have the experience to spot a lot of that but it really doesn't take long till they do and then they quickly become bored.
I contend that producing such media for kids is criminal because the media we consume as children informs us creatively and culturally as adults as we remember back on our early influences. By foisting trash on kids we're doing them a horrible disservice.
How can we judge this stuff? Well, if a show aimed at kids can be enjoyed just as easily by an adult, then it's a success. Great examples are things like Bug's Bunny, Tom and Jerry, Dexter's Lab, Powerpuff Girls, Total Drama Island, The Lion the Witch and the Wardrobe, Cinderella, the Muppet Show, etc. These things are well written and have extra layers that can be enjoyed by different age groups simultaneously.
This week Gunwallace has given us the theme to Filaments a Kerbop Story - The mysterious, dark shadowy reaches of space, glowing tendrils of a pink gassy nebula, dimly seen, distant stars, shadowy pockmarked asteroids turning lazily… a happily little junty turn plucked out on strings winds its way through the gloom, spreading cheer and light!
Topics and shownotes
Small Gods - https://www.theduckwebcomics.com/news/2020/sep/15/featured-comic-small-gods/
Filaments a Kerbop Story - https://www.theduckwebcomics.com/Filaments_a_KerBop_story/, by Caliway, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 425 - Pay-off or rip-off?
May 6, 2019
In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up in the story and pay them off at the end. If you fail to pay-off then you get a rip-off, it's pretty simple. Your audience will be really disappointed. That's not to say disappointing and unsatisfying ends to stories are wrong, not at all! Often those are fully intended. We're just talking about satisfying audiences, not “good” endings.
Episode 397 - Horror Comics
Oct 22, 2018
Fear: What are we afraid of? Why do we like or do not like media that may reflect these fears or lead us to new ones? How do such comics inspire fear or similar reactions within us. DO we like horror because we like fear to an extent? This Quackcast is about horror comics, how they work and why we like them. We chat about many of the horror comics on DD.
Episode 320 - Making the reader believe
Apr 24, 2017
In this Quackcast I wanted to talk about the magic of authorship: how the creator of a story sets up the whole situation so that they can convince the reader of anything. You can write a story about the smartest man in the world, and the reader will believe that they are, within the story, because you set it up that way: not just by having other characters reacting to them and forming that impression, but also independently convincing the audience of it as well by having them solving riddles and such or knowing lots of languages, quoting literary texts etc, but the creator doesn't have to be a very smart person themselves… Like Sherlock Holmes is seen as super smart because he's meant to, but Arthur Conan Doyle wasn't a super genius himself. You can write about a Casanova type charmer who's fantastic with the opposite sex and readers will believe, but only if you set the stage well enough. You as the creator set the parameters for anything to happen. Without having certain abilities or skills yourself, you can create a character with totally convincing skills far outside of yourself. The music for this week by Gunwallace is for The Gloom, it's creepy, ghostly, unsettling, uneven. This one gets under your skin and keeps you off-balance.
Episode 317 - Hannagrid Wright Interview!
Apr 3, 2017
Today we interview Hannagrid Wright aka 5thezombie! She's the creator of the great Sci-Fi webcomic To The Galaxy And BACK! -featured by Kawaii last year. To the Galaxy and back features Kat and Zoey, two girls that have been drawn together by fate, across the universe, to have all sorts of adventures in outerspace. All Zoey really wants is to get back to her dad, but having a dashing adventurer alien companion is going to make the ride a little more fun. Hanna is a cool person, she's just starting out on webcomics and already she has a nicely pro art style. She's mastered an efficient method of storytelling that's compelling, perfectly balanced for frequent updates, and makes her comic very easy to consume! Pit and Banes did a marvellous job in interviewing Hanna with me! I hope you read her comic (To The Galaxy And BACK!) and then listen to the interview! The music of Gunwallace this week is Sedna: A warm, deep blue, liquid, viscous, underwater outerspace world of wonder, joy, and luminescent glowing alien creatures…