The debate on what constitutes a “strong female character”, whether having “strong female leads” or “feminism” is tanking “woke” films these past few years, is ongoing. There's accusations of toxicity on both sides. Misogyny, misandry, wokeness and brokeness, all of these terms and hot takes are fired and take ...

In this month’s installment of Character Deep Dive, we’re looking at Grenadine Luncher from the comic Ripping Off King Arthur by Arthur Spitzer!

Before I do any dive, I have to say that due to the unique concept and approach of this comic, I had to really think ...

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We're chatting about the current state of AI, it's use, abuse, and the moronic way it's typically being utalised by mid-level businesses to screw over creative people and save money in the short term ...

So there are two sides to the art community. At least, as far as I've seen and as far as I've experienced- mostly online unfortunately.

One side is the AWESOME side. The side that's here on DD, and in many other niches like discord servers (like our ...

In the whole “show don't tell” thing that is the holy grail of ‘good storytelling’ (yes but not always, this is for a newspost of another time) what they usually don't tell you is that behavioral patterns are your friend.

To show rather than tell, you need to ...

The 90's movie “The Firm” is a good thriller. I just rewatched it and it holds up very well. Recently I picked up the book to check it out.

Even though I've watched the movie several times over the years, I got less than a third into the ...

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Rumours can be damaging stories deliberately spread to harm people, they can grow organically of their own accord. Salacious rumours replace truth and stick around in history ...

It’s been quite a bit since I last made a character deep dive, but since I got a bit more time on my hands, here we are! Today’s Character Analysis is about Levana from Vampire Girl by Marie Kerns and J_Scarbrough!

So, first things first! Vampire Girl is ...

Villains are tremendously important for a story. They set the framework and standard for a lot of things in an unsaid but definite manner: how far your villain is willing to go sets up audience expectations for how big and how dire the stakes will be in the story.

If ...

In rewatching some 1990's movies, I saw quite a few of these Protagonists show up - they're these disaffected types, usually quite intelligent or at least verbose, who are wrapped up in their emotions and sort of spinning their wheels in life as they analyze their problems and face ...