This time out I wanted to talk about superhero comics again and turn the spotlight onto the one that was responsible for me discovering Drunkduck in the first place…Dasien.

Over the years the comic has become slightly entwined with my own comic, but always they have remained the own ...

Having decided that shock value is needed in your comic and you must scare, disgust or generally traumatize your audience in some way in order to get the emotional reaction to serve your theme and your subject matter, how do you decide when and where to draw the line? (note ...

LISTEN!

No new Quackcast this week so we're going retro.

Sorry guys… 334 didn't record correctly. I only discovered that while editing. Two Quackcasts we'd recorded didn't work, TWO in a row: the spare AND the current one! I don't check them right after I ...

Goodness, I'm so late posting this, my apologies…

So you have answered your main worldbuilding question, you’ve gone ahead and created your rigging and you’re all set! Now you get to research for your world- you are about to sink your teeth in the juicy, succulent meat ...

LISTEN!
Art by Ozoneocean

In this Quackcast we cover the Importance of good linework in comics and different line techniques such as Herge's Ligne claire, the traditional thick line for characters and thin for everything else as exemplified in the work of Mucha, variable line widths as in Manga ...

Today is Memorial Day in the United States. I have met many young men who have joined the military and each time I look into their eyes, I see a brave person who is able to confront fears I never had to face at that age. Some of them may ...

LISTEN!

In this Quackcast we discuss the interesting notion that censorship can actually be a positive force for creation. Sometimes working WITHIN restrictions of censorship can make you more creative and your work a lot more individual, special and more interesting. I came to this subject after reading a review ...

So here we are after the brief intermission, back to talking about archetypes from our friend Jung.
As of course is natural, all stories have to have a plot in order to be engaging and be in a position to make their points and get them across because the alternative ...

Hello again!

I'm gonna continue for the next two or three weeks about “The Comedy Toolbox” approach to comedy structure.

There is quite a bit of crossover between this method and other methods you've heard of. But that's probably a good thing; there should be some similarity ...

Who hasn’t seen this ubiquitous symbol? It’s one of the most typical motifs signifying the balance between opposing forces in the world- but also the ever alternating phases of destruction and creation, of overwhelming overturning of the status quo so the new can be created.

And that is ...