Failure is the stepping stone to success. That’s what I teach my students and my clients, and it is true, right up there with “whatever doesn’t kill you makes you stronger”: If you learn why you failed, you won’t fail again the same way- and that brings ...

So last week I’d started talking about the reincarnation upon reincarnation of myth and legend into modern sequential and narrative art- and got some pretty insightful comments on why it persists for millennia (it is said that Euripides adapted the legend of Medea himself in order to make it ...

In a chat where we were discussing our comics, Pit-Face told me that if Bones from Putrid Meat is Odysseus, then Blitzov from Epic of Blitzov is Gilgamesh. And that very solid analogy of the two characters’ function in her stories, got me thinking about how myth of all sorts ...

I was actually asked some writing questions the other day. Who the deuce would ask ME for advice? But I happened to have a little.


Here are some thoughts on writing that smallest unit of a story: the scene (reprise):


First off, what is a scene? What defines it?

It ...

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*Art by Ozoneocean

What makes an action scene boring? Action scenes should be exciting and fun, but often it's just the opposite!
In this Quackcast we discuss the topic of Tantz's newspost from the other day and tackle this hard question.
These were Tantz's conclusions:
- You ...

It’s something so often encountered and/or mentioned in stories (be they comics or novels or film) that it’s becoming in itself a cliché: Heroes aren’t interesting because they’re straight arrows. Villains are fun because they’re the ‘bad boys’, the ones that can do all ...

Yesterday I was looking at reviews on youtube of the last Resident Evil movie that just came out. And while different reviewers had different degrees of leniency on the movie’s below average quality, everyone was unanimous in that the action in it was a ton, and boring.

So let ...

The Hated, part two: Heroes we hate

Last week I blathered on a bit about villain Protagonists. These are evil, or “bad” characters who get to be Protagonists!

But what about more traditional heroes, or supporting characters are written to be the “moral compass” or “voice of reason”, or just ...

Just the name inspires awe, a level of attention and gravity. Because it was a name before it became a noun: she was the ancient Greek goddess of revenge and retribution against those who committed any kind of hubris.

In stories though, a character that takes the position of nemesis ...

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Chekhov's gun is the principal (as I understand it), that if you have some item, fact or piece of information introduced into your story that you draw specific attention to, then you'd better use it some how later on in your story. The simplest example is a ...