The other day, my mother told me “you are still angry, which is why your story is also full of intense and violent emotion,” referring to the very grim, heavy tone and mood in Without Moonlight. It impressed me really because it rang true. My heart is still very heavy ...

Trauma is such a delicious thing in writing- it gives characters their backstories, their motivation, their special slant in a narrative wrok, from novels to webcomics.

However, it's usually considered in the context of how it has made a character ‘damaged goods’. Why they are grim, why they're ...

As children, we are more open and willing to believe the things that are presented to us as facts. We don't even question the validity of some statements, just take them as truths because that is the way it is.

One example of this was when I was sitting ...

They’re painstakingly made, take a lot of time to be completed, often cause their creators to burnout or feel like their investment goes unsung or unrewarded. To make a webcomic is a serious commitment that requires discipline, dedication, planning and scope. And there are no guarantees.

So why do ...

Six weeks ago, at the end of my article titled “Psychopomps and Death Personified”, I asked the question: Can you think of any examples of the personification of Death in a comic? How about on Drunk Duck (Yes, you can plug your own comic)?

Much to my delight, fellow community ...

I have made comics’ storylines both ways- flying by the seat of my pants and meticulously scripting everything. So I feel I’m in a position to say that while both methods are valid and extremely fun, the latter one has one advantage over the former: it can make the ...

So I’m worrying I might be boring the hell out of all of you with Jung and archetypes and odd archaic symbols and mystical imagery cryptography of late…

So here’s something a bit more fun that’s been rolling around in my head as I was gathering up ...

There are some comics where shadows don’t really exist- like Tintin where nothing casts a shadow at all. In other comics, shadows play a huge part, like Sin City. And yet in others they are just part of the natural environment of the comic and nothing more.

All are ...

Unless you live in one of a handful of places scattered across the globe, either still sucking on the dregs of medieval Catholicism or entrenched in the aftermath of colonialism, Carnival probably means jack shit to you. Or maybe it does, but it's likely not an entity in and ...

In a chat where we were discussing our comics, Pit-Face told me that if Bones from Putrid Meat is Odysseus, then Blitzov from Epic of Blitzov is Gilgamesh. And that very solid analogy of the two characters’ function in her stories, got me thinking about how myth of all sorts ...