Over the last twenty-four hours, the latest story about UK street artist, Banksy, has shown up on my social media newsfeed, in passing conversations, and in text messages. My friends immersed in the art world are talking about as well as my best friend since childhood and my own sister ...

As children, we are more open and willing to believe the things that are presented to us as facts. We don't even question the validity of some statements, just take them as truths because that is the way it is.

One example of this was when I was sitting ...

There's nothing more intense than subverting the audience's expectations: The righteous character that always says the truth says a lie. The character that values all life ends up murdering someone. The bad sort, the punk that's always terrible ends up saving the day or doing something decent ...

One of the toughest tropes in any kind of narrative work, from novels to comics to movies is the Sacrificial Lion - but not for what might be an obvious reason: having to axe a top tier character. It's because the trope is something that will affect and carry through ...

We are creators and as creative types, we sometimes reach a level with our skills that people are willing to spend money to own an original piece of work by us. If you are anything like me, then clientele is limited to family and friends and monetary charges are thrown ...

There comes a time in any webcomic creator’s career where they have to be mean to their characters. And there is nothing meaner than letting the proverbial Sword of Damocles fall on a beloved (or equally unloved) character and watching their head roll to the chorus a shrill cries ...

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In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the ...

So there's a lot of talk and discussion on how to approach the creation of your webcomic (or novel, or short story) regarding planning out your plot, the degrees of planning out, and the option of flying by the seat of your pants.

I have done both, both in ...

Every hero goes up against a villain. Every protagonist against an antagonist. This is the main clash that drives your story, any story, forward be it slice of life or epic drama.

One of the elements that can make this driving force compelling, that will make the clash interesting and ...

Webcomics can take many forms and with every story comes a unique and creative style. We have talked about naming your comics, the themes one can incorporate and how you developed your own style over time. This week, we’re getting technical. This week we break out the tools!

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