Episode 406 - Amateur Vs Pros Merry Christmas DD!
Dec 23, 2018
Merry Christmas one and all! And all that stuff. This year our release date falls exactly on the 25th! It was a busy year for us, lots happened. But in this Quackcast what we chat about is something rather different: the difference between pros and amateurs, specifically when it comes to comics. There's this common misconception that an amateur is a novice that will produce work of a lower quality, while a professional is an experienced person who knows what they're doing and will always produce things of the highest quality… The REAL story is more complex than that.
Topics and Show Notes
Professionals produce work for a living. It has to support them. Because of this they need to develop a high level of skill and proficiency. They need to learn how to produce work reasonably fast and to a consistent level of good quality on a regular basis. Time, cost and quality are the main factors, the pressure is on them to make things relatively cheaply, relatively fast, and at a good quality. This is very hard to do so they learn to make compromises and take shortcuts to achieve that. “Quality” becomes “good enough”, or basically with enough tricks and shortcuts to convince you that it IS high quality. In terms of art that involves tracing, pre-rendered images, photo backgrounds with filters, gradient fill colouring, cut and pasting, use of 3D assets, reliance on standard models. For writing that means sticking to formulas and story outlines someone else has come up with; tasks are split and delegated to teams: pencilers, inkers, colourists, background artists, creative directors, writers story editors and so on.
Amateurs come in many flavours. On one end of the scale you have the beginners who are learning, then you have casual people with just enough skill to do the job, and finally you have people with an extremely high level of skill, higher than any professional. Amateurs lack the pressure to make a living out of their work which means they have far more time to produce it in and experiment. They have the freedom to learn, advance and perfect, far beyond what is available to people stuck in the professional world.
But of course it's not a case of either/or. Both worlds can learn from each other and frequently do. There are many helpful tricks that amateurs can pick up from the pro world and pros have a LOT to learn from doing projects at a more amateur level. I hope this Quackcast helps to dispel the old myth that Pro = great, while amateur = bad. Reality is frequently a lot more interesting and complicated! ;)
This week Gunwallace has given us the theme to Lost Honey. Something epic is about to begin! Chords full of portent rise and flood your ears, creating a gorgeous blue backdrop upon which play the golden notes of the piano, full of stinging melancholy, joyful exuberance and wistful reminiscence.
Topics and shownotes
VIDEO exclusive!
Only for Patrons who donate $5 or more, here:
https://www.patreon.com/DrunkDuck
Featured comic:
Urban Legend - https://www.theduckwebcomics.com/news/2018/dec/18/featured-comic-urban-legend/
Christmas Newsposts
Banes - https://www.theduckwebcomics.com/news/2018/dec/19/merry-quackmas/
Emma Clare - https://www.theduckwebcomics.com/news/2018/dec/20/winding-down-and-looking-back/
Tantz - https://www.theduckwebcomics.com/news/2018/dec/21/a-most-awesome-dd-year/
Pitface riding in a TIGER TANK - https://www.youtube.com/watch?v=au8cImGEjhA&feature=youtu.be&t=948
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/banes
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Featured music:
Lost Honey - https://www.theduckwebcomics.com/Lost_Honey/, by Fleebites, rated E.
Episode 387 - History and Pastiche
Aug 7, 2018
In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the 1920s in an alternative version of history, with Pinky coming from the fictional “Crimean Empire”. Tantz has to keep times, places, and details close to real history while with Pinky TA I can pick and choose the things from history I like the best and create my own idealised pastiche. The advantage of Tantz's approach is that everything is there, nothing has to be invented, just researched and reproduced, whereas my approach involves a lot of creation which slows things down and makes it harder. On the upside Pinky TA is much more flexible, I can easily fit whatever I want into the story, whereas Tantz's comics are bound by the rules of the history she's presenting.
Episode 373 - Stupid millennials, greedy baby-boomers and lazy Gen Xers!
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!
Episode 368 - the Blahcast!
Apr 2, 2018
Welcome to another Quackcast! in this “blahcast” we talk about a lot of different subjects. This Quackcast also sees the arival of a NEW feature! It's the Princess January Show, by VinoMas! Where all the hot gos about popularity on DD is covered. Pitface tells us that Fury is the greatest tank movie ever, I correctly state that Tankgirl owns that honour. We chat about mistaken criticism of a movie or webcomic based on what we WANTED it to be rather than what it was, Suckerpunch being a prime example, but also the Secret Life of Walter Mitty. Bad promotion also sinks projects especially films like John Carter on Mars. We chat about Star Wars The Force Awakens AGAIN! Which leads us to badly written female characters: a strong character is a well defined character that drives a story, not characters that are physically strong, they CAN be, but it has nothing to do with being a “strong” character. It's like the famous “survival of the fittest”: “fittest” does not mean “strongest”, it means the best “fit” for a situation. So those are some of the pop-culture things we “blah” about. We have a university student doing a study on webcomics. Please consider filling out her survey, linked in our links section! This week Gunwallace has given us the theme to Project Prince. The simple plucked wire chords introduce us to a dark future scene. Synthesised organ and gentle patter of brushes on cymbals tip us off to the action to come. Loud distorted electric guitars give us the feel of a late night 1980s SciFi action movie
Episode 362 - Triumph der Ente
Feb 19, 2018
In this Quackcast we chat about all the different options for hosting your webcomic. At the moment it seems the fashionable new young kiddies on the block are Webtoons and Tapastic, but they're certainly NOT the only choices for webcomic hosts out there and certainly not the best choices. I think we make a good case here for why Drunk Duck is a better choice in many ways, but we also bring up other host sites like twitter, comic fury, comic Genesis (used to be Keenspace), Tumblr, Deviant Art, Smack Jeeves, Fur Affinity, self hosting on a Word Press site etc. In the early days of the millennium there were just two hosts for your comic: Drunk Duck and Keenspace. Drunk Duck was a better choice for most since it was a lot easier to customise and it had a friendlier, smaller community. Keenspace had a two tier system: the picked comics with all the best stuff were in their “keenspot” site while the rabble were stuck with the slower hosting and slower updates. The main thing they had going was a gigantic member base. But they even changed the site's name from “keenspace” to “comic genesis” to further separate KeenSpot from the rabble, which left a sour taste in the mouth. By contrast Drunk Duck was always dedicated to being fully egalitarian. One of our main strengths is that we accept all without stigma: manga, furry, adult comic, sprites, American style, superhero, slice of life comedy, photocomics, professional published comics or stick figure amateur work and we welcome them all the same with the same level of enthusiasm. The big young Webtoons and Tapastic have some of the same issues Keenspace used to have: a big community where you will be lost in the crowd. And no site has as solid and safe programming and hosting as Drunk Duck does. Plus we're community run so you're same from corporate oversight and interference in the content you're allowed to post. You can read more about comic hosting sites in Emma Clare's news posts linked bellow. This week Gunwallace has given us the theme to Odd Days. Sometimes you just have one of those days… or many of them in a row! Odd days. The sound here has a positive, optimistic theme overlayed with a harsh zigzag of electric guitar. This tune does well to illustrate the twisted euni, the off-balance and askew takes on everyday life and situations dealt with in this slice of life, humorous comic.
Episode 352 - Help make DD better! Comment notifications! More play
Dec 11, 2017
n this Quackcast we cover a few different things! FIRST up is our latest campaign to give YOU comment and reply notifications so that you can see who has commented on your comic pages easily, you can respond to them right away, then they'll KNOW you replied and they can respond back and so on. But before we can do that we need to raise money via Indiegogo to pay for it. YOU will be helping to pay for a feature that you want. That's how the site works these days, it's our site: yours and mine. In the next part of the Quackcast we have a series of short plays that we act out. They're based on comics here at DD. We start out with custom scripts written by Tantz Aerine for Without Moonlight and Brave Resistance. And then we have a go interpreting comic pages of The Epic of Blitzov, Bottomless Waitress, Typical Strange, and Pinky TA. Which brings us to our next thing: One of the perks you can pay for to help us out with our campaign will be a custom script based on your comic. WE will write it and act it out. YOU don't have to do anything but donate. Finally we have a note from KAM that we read out, informing us of the experience of adapting his comic into a script structure and we talk about that ourselves. If you'd like to write a script for us to act out on the Quackcast, just PQ me and I'll tell you where to send it. :) This week Gunwallce has given us the theme to Bram and Vlad: Welcome to the mysterious, echoing notes of a celestial funhouse. Then settle down to a demonic, yet friendly game of cards accompanied by a jaunty, yet cheeky tune on the piano!
Episode 351 - PLAY time
Dec 5, 2017
We asked for scripts and we got 'em! We have five different scripts in this Quackcast performed by the Quackcast players: A realistic, dramatic one to start with Usedbooks where murder is on the menu. Yuki, played by Pitface, is doing a bit of detective work, questioning her dangerous brother Lee, played by Banes. Crater's Edge gives up a dose of fantasy and monsters. Keego, played by Ozoneocean, is a young boy looking after his ailing mother, played by Tantz Aerine. Daryl and Susie is all about gentle comedy. Daryl, played by Pitface, is a dragon with monsters in his head and he lives with a mischievous 9 year old girl named Susie, played by Banes. Constellation Chronicles gives us dark, scary SciFi. Wainwright, played by Ozoneocean, with Marcel, played by Tantz, are two astronauts investigating a mysterious distress signal from an old drifting derelict space hulk… We finish up with The KAMics for a dose of satirical comedy! It's awards time at the Muzzy Mallard and Rosemary, played by Tantz, and Beth, played by Pit, are up for some honours… or are they? It was a lot of fun to act these out! We can't wait to do more. They all have SFX and we've tried to do as good a job as possible on them. Please send us more scripts based on your comics so we can bring your work to life, just contact me directly to find where to send them! Have a look at the link to the newspost on scripts bellow to know what to include with your script. This week Gunwallce has given us the theme to The Cosmic Star: Fly on out into the deepest reaches of far outer space with us. This tune will groove you on out there smoothly, past glittering star systems and vast, swirling galaxies. Just lie back, get comfortable, relax, close your eyes and let the universe roll on by…
Episode 347 - Psychopomps and Death Personified
Nov 6, 2017
A psychopomp is a physical manifestation of death. These are of course impossible in reality since death is a process, not a force or anything that can be personified, but culturally death has very different meanings and resonances! Most cultures have a psychopomp in one form of another, like Valkyries and Charon the boatman to name two, and there are even more in literature and movies. In this Quackcast we go back to Kawaii's great Halloween newspost where she asked people about their fave psychopomps and we talk about a few of our own. ^_^ This week Gunwallce has given us the theme to The Constellation Chronicle - In the cold, blackness of space, suddenly a twinkle appears, bright light shoots out, supercharged particles race on their path into the void at the speed of light, travelling through glowing, spidery filaments as thick as a sun that make up the frozen explosion of a giant nebula, bending their course towards the radioactive chaos of an event horizon, to take a deep dive into eternity, towards the mysterious singularity within.
