Episode 437 - Old Warhorse
Jul 29, 2019
Today we cover the interesting trope of the “old warrior”. This was based upon a newspost Banes came up with last week. He was thinking of Captain Picard in the latest Star Trek series and he also brought up Luke Skywalker from the latest Star Wars movie. The “Old Warrior” makes a really cool protagonist, in this Quackcast we try and discover why that is…
Topics and Show Notes
Well we came up with a few insights!
-First up, the “old warrior” is often a side character in the secondary role of a mentor, i.e. someone there to hand things over to the next generation. Personally I think that's the most boring way to use them, they work FAR better as a main character rather than support for one.
-Second, the “old warrior” has mostly been traditionally male but doesn't have to be, there are some great female ones like Ripley in the Aliens series, Laurie from the latest Halloween movie, and Sarah Conner from Terminator 2 and the latest version of that series.
-Thirdly, the “old warrior” doesn't HAVE to actually be old at all, all they need to quality is to be experienced, to be a veteran of the type of situation they're facing, and to “know death”, they can be a child soldier and still qualify.
-And that brings us to number four: “knowing death”. This is interesting! Your usual protagonist generally seems to think they're immortal, but your “old warrior” doesn't. They've seen death, probably a few too many times and managed to escape unscathed so far, but they know it's always drawing closer with every step they take and diving into this new mission just might be the end of them… every new adventure could be their very last. This adds an unusual frisson and spice to their story.
This week Gunwallace has given us the theme to Sunstrike and Bluemist, an origin story: Plotting, sneaking, stealthily creeping, sidling along in the shadows. Action, danger covert missions, and secrets! This jaunty tune is the perfect spy theme.
Topics and shownotes
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Featured comic:
The Great Khan - https://www.theduckwebcomics.com/news/2019/jul/23/featured-comic-the-great-khan/
Featured music:
Sunstrike and Bluemist - https://www.theduckwebcomics.com/Sunstrike_and_Bluemist_An_Origin_Story/, by ShaRose49, rated T.
LINKS
Banes' Old Warrior newspost - https://www.theduckwebcomics.com/news/2019/jul/21/the-old-warrior/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Episode 436 - Master of none?
Jul 22, 2019
To become truly successful at one thing you need to focus on that alone. Is it worth it? There are MANY calls on our time with all the side things we like to do, ESPECIALLY webcomics. One of the few ways to become a really successful superstar at any one thing is to start dropping all the other things that call on your time and devote all your energy to that one thing! Then you can push past all limitations and devote the effort and time needed to properly succeed.
Episode 434 - Where do your characters exist?
Jul 8, 2019
This time we're chatting about settings and where your characters exist in space… where does all the action happen in your comics and WHY does it happen there? Bane's had the really novel idea of thinking of story settings as action playsets, which are toy settings made based on a TV show or movie where you can play with action figures and act out key moments FROM the TV show or movie: Unlike a dollhouse they only have the key sets where the important things happen.
Episode 432 - How to get more readers
Jun 24, 2019
Just Banes and I for this one! Today we have 3 topics: 1. Being positive and how that really helps us in online communication and social networking, as well as giving a boost to those we talk to- very important in comic communities. 2. How to get more eyes looking at your work. We always need to build our audiences! 3. Updates for drunk duck to modernise the site… We're going to have to raise a lot of money for this! How is the best way?
Episode 425 - Pay-off or rip-off?
May 6, 2019
In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up in the story and pay them off at the end. If you fail to pay-off then you get a rip-off, it's pretty simple. Your audience will be really disappointed. That's not to say disappointing and unsatisfying ends to stories are wrong, not at all! Often those are fully intended. We're just talking about satisfying audiences, not “good” endings.
Episode 417 - Can we be better?
Mar 11, 2019
What is Social Marketing? Basically its word-of-mouth and viral marketing smashed together and weaponised: Marketing companies hijack hot-button social issues and hitch their client's brand to them in clever campaigns (“We can be better”, etc). The purpose isn't really to make a brand seem progressive, modern or new, rather it's another way of getting it trending on social media that's guaranteed to work, unlike the legion of hit or miss but mostly failed “Viral” campaigns. Whether people say negative or positive things about this issue is irrelevant to the marketer, as long as people are talking about the brand is all that matters. Free advertising is the goal, but it has a social cost.
Episode 414 - Bad Hollywood
Feb 18, 2019
Hollywood has a tendency to simplify or completely alter stories to make them more mainstream and appealing to their idea of a popular audience. In this Quackcast we thought it'd be fun to run with that idea and re-imagine our works for “Hollywood”.
Episode 409 - Meaning, Intention, and symbolism
Jan 14, 2019
The topic we discussed in this Quackcast was looking for symbolism, meaning and intention in comics: The English literature approach! Deeper meanings and all that. It's fun to do actually and sometimes you really can hit upon the intentions of the creator, uncover NEW meanings, or just do it to entertain yourself. We used our own comics for an example and talked about things beyond the superficial for a change. For example: Banes' comic Typical Strange is a sitcom set in a video rental store, staffed by a group of characters that make up the cast. Why is it set in a place that is clearly decades out of date and relevance? A video rental place is an anachronism in this time. Is it saying that the characters themselves are stuck in time? It's a sitcom comic so situations often reset or rewind back to the status Quo, so that interpretation would seem to fit… Of course that wasn't Banes' deliberate intention but it's fun to think about that way.
