Episode 253 - narrative order and the flashback
Jan 11, 2016
Doing stories that start with the climax, then flash back, tell what happened to get there: the old narrative style of switching the first few chapters around to make a more interesting story. Sometimes it works GREAT because it throws you right into the middle of things and you have to work your way back to that point… It works very nicely in The Hangover for example! Often it's used very badly- in anime particularly, where they use it for foreshadowing and a tease to try and get you interested in the rest of the story- but anime story structure is so formulaic that all it really does is give you a cheap spoiler. Other times it doesn't work well is when the writer isn't very good so the viewer loses their way in the plot… If the writer is GOOD though you end up with Pulp Fiction. You'll love Gunwallace's theme here- a super funky jazz track for the comic Nothing Important Happened Today. Enjoy!
Topics and Show Notes
Topics and shownotes
Featured comic:
Aidana - http://www.theduckwebcomics.com/Aidana/
Links:
Quackcast 253 VIDEO - https://youtu.be/4-Xi7qQK_Xg
Contributors:
tupapayon - http://www.theduckwebcomics.com/user/tupapayon/
El Cid - http://www.theduckwebcomics.com/user/El Cid/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
The theme song by Gunwallace this week was for:
Nothing Important Happened Today - http://www.theduckwebcomics.com/Nothing_Important_Happened_Today/ by RymanNoodles, rated T.
Episode 237 - The Songcast
Sep 21, 2015
For Quackcast 237 we asked people about the songs that inspire them when they do their comics, which songs go with which parts of their comics, what would be the ideal comic movie theme, what songs or music get you in the MOOD to do your comic, and finally; just how great are Gunwallace's fantastic comic theme tunes? And speaking of theme tunes, the masterful Gunwallace has given us a Salsa theme for Taco El Gato!
Episode 234 - Climactic Climaxes!
Aug 31, 2015
What's best? One big climax, multiple small ones, early, or delayed? How much should you work UP to a climax? What about anticlmactic events, how important are they? Climaxes are really important in stories. Often you work up to them over the course of a whole series, but each episode or chapter can have them, maybe even every single page. I find writing “up” to climaxes a bit stressful because you have a lot of preasure and expectation there. And when it's over and you've actually achieved it, it can be a bit depressing: where do you go to from there? You can feel a little lost, at least I do. TALKING ABOUT WRITING HERE. My preference is for multiple climaxes. Do you always need climaxes in stories? I don't think you do personally… there are times when things work fine without one, but it does help better with endings. Sometimes climaxes can be TOO big. Way too much of a story can be invested in a climax, it subsumes everything, everything has to tie in with that specific story flow and that can be REALLY had to pull off. If it's not done right it can be massively disappointing. Anticlimactic. Pitface Joins Banes and Ozone to chat about climaxes in stories and read out the contributions from our climactic contributors. Gunwallace gave us a gorgeous theme for Just Another Day!
Episode 233 - Formulas Forever!
Aug 24, 2015
Here we go again, back to formulas! This time we got some external input. Fellow DDers had a say about their idea about the utility of formulas and how they use them in their writing and comics. It's important to understand formulas in writing so you know what works and why it works, it can help you in your own work. And when you need to and you've got the ability you can create your OWN writing formula. But remember: the formula is just the bare skeleton, you have to add all the meat and flesh to it with the rest of your writing, don't let the bones show through! Listen to Gunwallace's beautiful theme for Brave New World! Oh, and one last thing… HAPPY BIRTHDAY TANTZ AERINE!!!!
Episode 228 - Conflicting conflicts conflict
Jul 19, 2015
This time we're talking about conflict in webcomic writing, and any writing in general really. Conflict is one of the main drivers of a story, so you pretty much have to have it in there somewhere! But how do you approach it? Do you set it up really carefully or just put a bunch of volatile characters together and see what happens? I think for a lot of us we don't think too much about the science of our conflicts, rather we approach it artistically and develop things by feel and instinct because conflict is such an intrinsic trait. But understanding how you use it can be very useful when you're writing satisfying resolutions and climaxes. A good understanding of the types of conflict in your story is also pretty essential when you're writing a good comedy (it's a great source of humour!), and also when you're explaining or selling your work to the public: It's all very well to chat about your clever setting and your funky characters, but conflict is the reason they're IN a story to begin with and that's really what will get people wanting to read out it. I hope you enjoy Gunwallace's great porn style music type theme for Tales of Two Tiny Titty bars!
Episode 224 - Finding your own voice as a writer
Jun 22, 2015
For Quackcast 224 I've asked Kevin Hayman back again (KOTA's world, Mailbox Rocketship, Erant Apprentice), to regale us with his Owen Wilson stylings... But seriously, the topic is "finding your own voice in writing", i.e. learning not to imitate your hero's, move beyond that and write in your own style. Kevin is a really funny and interesting guy who's been doing webcomics for many many years since the very earliest days of Drunk Duck and he has some great insights to impart on "finding your own voice". You can also catch KOTA at the Mississippi comic con this weekend! -Enjoy Gunwallace's lovely, creepy musical take on our featured comic, Restless.
Episode 220 - the Process of Creation
May 12, 2015
Hello from Belgrade in Serbia! This Quackcast was recorded 3 weeks ago and I am currently in Europe, though I'm still writing this from Perth Western Australia 3 weeks in the past… So in this particular Quackcast you get to hear ME Ozoneocean, Banes, Bravo1102 and Tantz Aerine (who I visited in Athens last week), chat about the process of creation! Creation is a topic very close to the heart of all webcomic creators and the four of us try and explore all aspects of it with the help of some very wise people on DD. The music for this week is Gunwallace's them fro The Temple at 50 Fathoms, a comic by Skreem, SO if you like a hyper dance club sound, you better strap on your dancin' pants when you listen to this one!
Episode 211 - How Mary Sure Are You?
Mar 23, 2015
Hello hello hello! This week Ozoneocean and Banes pirate another of HippieVan's much discussed newsposts. When the test for Mary Sue was brought up in our recent writing tests Quackcast it generated some heated talk so HippieVan went a little deeper into it and people responded again. Banes and I discuss those responses and try to come up with some sort of consensus on how to more properly use the Mary Sue test and some of its pitfalls: i.e. it's highly context sensitive and can't be used easily on certain genres (Superhero etc), it's also something you as a writer typically don't have to worry about unless you're inexperienced- or so Banes and I believe.
