Episode 268 - the antagonist-cast
Apr 25, 2016
On the Quackcast we've talked about villains plenty of times before. This time it's very different though… I wanted people to talk about their OWN villains, to promote their comic as if the antagonist was the main character, to give their antagonists the time in the sun that they so desperately CRAVE! And well it sort of worked out, not as well as I hoped but it was a good idea. We have many good contributors and they're read out by Pitface, Banes and myself. I must apologise for the audio quality though- very sorry about that, Skype kept on cutting out. Gunwallace gave us a theme to Cataclysm, a comic that I keep on trying to feature over and over again for some mysterious reason XD It's a very jaunty and modern, a good positive take on the Scifi.
Topics and Show Notes
Topics and shownotes
Featured comic:
Bram and Vlad - http://www.theduckwebcomics.com/Bram_and_Vlad/
Antagonic-cast thread - http://www.theduckwebcomics.com/forum/topic/177487/
Contribulatortators:
bravo1102 - http://www.theduckwebcomics.com/user/bravo1102/
KimLuster - http://www.theduckwebcomics.com/user/KimLuster/
Genejoke - http://www.theduckwebcomics.com/user/Genejoke/
Usedbooks - http://www.theduckwebcomics.com/user/usedbooks/
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz Aerine/
Whirlwynd - http://www.theduckwebcomics.com/user/Whirlwynd/
Call Me Tom - http://www.theduckwebcomics.com/user/Call Me Tom/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - http://www.theduckwebcomics.com/user/Banes/
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
Featured music:
Cataclysm http://www.theduckwebcomics.com/Cataclysm/, by ArmandoB, rated M.
See more at - http://www.theduckwebcomics.com/news/2016/apr/25/quackcast-268-the-antagonist-cast
Episode 263 - WHY do a webcomic?
Mar 21, 2016
Why do you do the kind of webcomic you do? Why? Why? WRRRRRRRRHHHHYYYYY? This was the question asked by Genejoke, one of our favourite DDers. This jolly gent asked a whole possy of posers related to that subject and I thought that it provoked some interesting responses, and so it became fodder ad a half for Quackcast 263. Banes, myself, Pitface and Tantz Aerine all approach the questions ourselves and then hand the floor over to our DD contributors, so to speak. I find that it's really important to be able to come up with answers to questions like these, and even more interesting is just how those answers change depending on when you ask them. I find that these days I have a MUCH better idea of why I do my comics and why I make the creative choices that I do.
Episode 259 - Drawing Crowd Scenes
Feb 22, 2016
Crowd scenes of any sort can be horrible to draw. There are many, many reasons for this, one of them is that it's quite boring to invent a whole lot of new character models just for the purpose of making a group scene. My own way of combating that problem was to do cameos of other characters that I stole from my fellow Quackcasters, Banes, Pitface and Tantz. There are many other tricks and clever ways of managing crows though which you can hear bout in the Quackcast or see us talk about in the Quackcast video. Gunwallace's theme for Phineus Magician for Hire is VERY Sword and Sorcery! It reminded me a little of the famous music to the first (and best), Conan film, and brought to mind the writing of Fritz Leiber.
Episode 253 - narrative order and the flashback
Jan 11, 2016
Doing stories that start with the climax, then flash back, tell what happened to get there: the old narrative style of switching the first few chapters around to make a more interesting story. Sometimes it works GREAT because it throws you right into the middle of things and you have to work your way back to that point… It works very nicely in The Hangover for example! Often it's used very badly- in anime particularly, where they use it for foreshadowing and a tease to try and get you interested in the rest of the story- but anime story structure is so formulaic that all it really does is give you a cheap spoiler. Other times it doesn't work well is when the writer isn't very good so the viewer loses their way in the plot… If the writer is GOOD though you end up with Pulp Fiction. You'll love Gunwallace's theme here- a super funky jazz track for the comic Nothing Important Happened Today. Enjoy!
Episode 250 - Tradigital art - Digital VS Traditional
Dec 21, 2015
There's not really a difference between digital and traditional art - art is art, your tools and media don't really matter, what's important is how its meant to be seen and what it's meant to be used for. But, people do like to discuss this though and so do we so that is exactly what we did! We opened the floor to people's opinions and experiences on the subject and everyone had their say. Gunwallace's theme for The Dragon Fists of Smorty Smythe reminds me strongly of The Journey of the Sorcerer by The Eagles!
Quackcast 239 - Draw your world, community edition
Oct 5, 2015
Last week Tantz Aerine and Pitface told us about how they came up with a visual look for their comic worlds. THIS week members of the community weigh in and give us THEIR perspective on their perspective… views of their comic environments. We have very interesting views from al of them! Oh, I apologise for the saucy repartee between Banes and I at the start of the Quackcast. We're very bad people. Gunwallace's theme this week was for Trevor Mueller's Award Winning Albert The Alien! With lyrics by Gunwallace and spoken by an Alien, not Albert.
Episode 237 - The Songcast
Sep 21, 2015
For Quackcast 237 we asked people about the songs that inspire them when they do their comics, which songs go with which parts of their comics, what would be the ideal comic movie theme, what songs or music get you in the MOOD to do your comic, and finally; just how great are Gunwallace's fantastic comic theme tunes? And speaking of theme tunes, the masterful Gunwallace has given us a Salsa theme for Taco El Gato!
Episode 234 - Climactic Climaxes!
Aug 31, 2015
What's best? One big climax, multiple small ones, early, or delayed? How much should you work UP to a climax? What about anticlmactic events, how important are they? Climaxes are really important in stories. Often you work up to them over the course of a whole series, but each episode or chapter can have them, maybe even every single page. I find writing “up” to climaxes a bit stressful because you have a lot of preasure and expectation there. And when it's over and you've actually achieved it, it can be a bit depressing: where do you go to from there? You can feel a little lost, at least I do. TALKING ABOUT WRITING HERE. My preference is for multiple climaxes. Do you always need climaxes in stories? I don't think you do personally… there are times when things work fine without one, but it does help better with endings. Sometimes climaxes can be TOO big. Way too much of a story can be invested in a climax, it subsumes everything, everything has to tie in with that specific story flow and that can be REALLY had to pull off. If it's not done right it can be massively disappointing. Anticlimactic. Pitface Joins Banes and Ozone to chat about climaxes in stories and read out the contributions from our climactic contributors. Gunwallace gave us a gorgeous theme for Just Another Day!
