Jun 6, 2022
How do you keep on with your creative output when something happens to you? When you lose function or are impaired in some way, how do you adapt or relearn so you can keep on as you were before? Maybe you can't and have to change to another medium that's a better fit for your abilities? Comic creator Bravo1102 once talked about how he moved from drawing to using action figures to make his comics partially because of his eyesight. My own eyesight has suddenly started to go bad and I'm having to adapt to that, and Tantz tells us how her deteriorating eyesight forced her to work digitally.
Topics and Show Notes
The four of us have had limited experience at dealing directly with impairment, but we've had our moments and all of us know many people who've faced more significant challenges. On numerous occasions I've suffered paralysis to my thumbs lasting many months (alternating sides, not both at the same time), in order to keep on creating I had learn to used the mouse in my other hand (which I still do today), and create a brace made of bands and ties so I could hold my pens and brushes. But that was a minor inconvenience compared to the situation faced by Pitface's mum, Karen Hillard Good, a noted illustrator and artist known for her commercial work and children's books. Last year she experienced a stroke which paralyzed half of her body as well as causing some cognitive impairment. She's had to adapt to her changed physical abilities, relearn how to use her body to create and overcome the challenges facing her.
As we age and life happens to us there are many things to which we have to learn to adapt, not just physical impairment but mental too. It's just as difficult to adapt to things happening with your mind, like not being able to concentrate, memory issues, depression etc. Are there any physical or mental issues you've had to learn to adapt to so you can continue to create? If so, how did you do it?
This week Gunwallace has given us a theme to The Sophomore - Sparking into action, the reverent tones of a groovy church organ play us into the roiling conflagration of this dancey little tune, full of heat and glaring orange light, this sound warms you through!
Topics and shownotes
Artist Karen Hillard Good - https://www.facebook.com/Karen-Hillard-Good-Studio-Art-444025792286012/
Bravo1102 - https://www.theduckwebcomics.com/user/bravo1102/
The Sophomore - https://www.theduckwebcomics.com/news/2022/may/31/featured-comic-the-sophomore/
The Sophomore - https://www.theduckwebcomics.com/The_Sophomore/ - by MrPenguin, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Nov 17, 2014
The idea for this Quackcast came from a newspost by HippieVan. She had just read a comic version of Frankenstein and was disappointed at the simplistic way that the character's inner turmoil was rendered. She wondered about the different ways that "inner turmoil" is portrayed in comics. The lovely and highly intellectual duo of Tantz Aerine and Pitface join Banes and I to discuss farts... and after that we tackle the subject of portraying inner turmoil in comics. Each person brought some rather interesting examples to the table, and we all talked about the many different ways such internal emotional and intellectual changes can be visually depicted on the page for the reader without being stupidly obvious about it.