Feb 23, 2020
The process of adaptation is quite interesting. Stories go through all sorts of changes when they're transferred from one medium to another. A lot of the time we bemoan that as “not staying true to the original” or “the book was better”, but there are many times where the adaption is really interesting in its own right, even though it's quite different from what it started out as.
Topics and Show Notes
A straight out bad adaptation (in my opinion) is Peter Jackson's “the Hobbit”. Instead of simply transforming the story to better fit the medium of film, it was changed to accommodate current fashionable Hollywood tropes- an A, B, C, and D story structure, romantic interests, tragic heroic characters, nemesis characters, high speed action sequences etc. It didn't retain any of the spirit of the story it was based on. Retaining the “spirit” seems to be the important part of making a good adaptation, details don't matter so much.
In that vein, Conan the Barbarian is considered to be quite a good film. It's the only successful Conan adaption from the original stories apart from the comic series. For the movie they changed details about the character (supposed to have square-cut long black hair instead of ragged brown hair, supposed to be swarthy skinned, and his origin was changed massively). The story in the film was loosely based on a few different Conan stories, but mainly it was its own thing. The story of the film stayed true to the theme of Robert E Howard's philosophy and character even though the details were all wrong, this made it a very good adaptation because it's the theme of the stories and character that makes Conan so good, NOT the details. Later adaptations in the form of other films, games, and TV series never managed to get that same vibe.
In the Quackcast we cover things like War of the Worlds, Robin Hood, the Marvel Universe, DC movies and so on.
What are some good or bad adaptations that you've seen and why did they succeed or fail?
This week Gunwallace has given us the theme to TRUMPed, or rather the “making-off” the theme for TRUMPed. You can see what boundless taste and sense of style this fellow has in his choice of theme tunes, no Eleanor Rigby style classical sounding stuff for the blonde haired buffoon, Heavenly choirs and stately piano pieces are far too serious, subtle, stylish and sensible! Nothing less than a bubblegum jingle will please the Pres!
Topics and shownotes
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Banes' creen Adaptations newspost - https://www.theduckwebcomics.com/news/2020/feb/20/page-to-screen-adaptations/
Hyperbolic Fabrications Presents - https://www.theduckwebcomics.com/news/2020/feb/16/featured-comic-hyperbolic-fabrications-presents/
TRUMPed - - https://www.theduckwebcomics.com/TRUMPed/, by Rawdale, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
Mar 11, 2019
What is Social Marketing? Basically its word-of-mouth and viral marketing smashed together and weaponised: Marketing companies hijack hot-button social issues and hitch their client's brand to them in clever campaigns (“We can be better”, etc). The purpose isn't really to make a brand seem progressive, modern or new, rather it's another way of getting it trending on social media that's guaranteed to work, unlike the legion of hit or miss but mostly failed “Viral” campaigns. Whether people say negative or positive things about this issue is irrelevant to the marketer, as long as people are talking about the brand is all that matters. Free advertising is the goal, but it has a social cost.
Mar 14, 2016
WELCOME to the final part of the Radio D.U.C.K. trilogy! This is where we put all the rest of Gunwallace's amazing songs AND a special treat for you as well listeners: Jimmy's Folly. Our radio DJs have gone just a little crazy this time… the brutish, hard rocking Jimmy Storm, demonic Anastasia Ravendale, and dried up old Rhet Blanket battle it out over the on air turf in the strangest way possible… BRINGING THE THUNDER! Gunwallace's amazing comic themes meanwhile are just as juicy as ever.
Feb 8, 2016
Using accents and different languages in comics can be a challenge, or at least a challenge to represent. Some people will actually have their text IN a different language or even a made up language in the case of aliens, and they'll have translations in a footnote. Some will use pointed brackets to represent the different language, some will use different fonts, and some won't bother showing that there is a different language being spoken at all. We spoke to Tantz Aerine and Pitface about this because that's something they both have to tackle in Brave Resistance and Tantz's solo comic Without Moonlight because it's very central to the plot: Tantz uses different colours for the languages. Pitface phonetically represents different accents in her comic Putrid Meat quite expertly. However, there can be challenges to phonetic representation when you get it wrong, most frequently in the case of Irish and Scottish accents! This was inspired by a newspost by Hippievan! Listen ad enjoy Gunwallace's audio interpretation of Aidana. VERY Pink Floyd!
Nov 24, 2014
This week the topic of our Quackcast was inspired buy my Friday newspost where I talked about how we relate to adaptions of created properties (fave comics or books turned into movies etc), and some of the challenges involved in creating adaptions. i.e. Hollywood will often try to create a sure fire hit by adapting an already successful property (like Lord Of The Rings) into a movie. That property has massive fame and name recognition plus a lot of fan love and popularity. The challenge is to try and create a vision that appeals to the fans while also translating the books into films in such a way that it will easily appeal to the wider population outside of those fans and it can be a tricky process. In this Drunk Duck community webcomic podcast Banes and I discuss some of the pitfalls, cases when it's been done right, wrong, and extra-special!
Feb 24, 2014
After a terrible bathroom flooding incident Modest Medusa was born. That's sort of the beginning of the story of Modest Medusa, but also how the comic began too! In this Quackcast I interview Jake Richmond, the creator of the very successful and popular Modest Medusa: a pretty amazing webcomic success story. Starting out at Drunk Duck with his comic in 2011 he's been able to quit his main day job and work on his comic full time! He does some freelancing and teaching as well, but his comic is his main source of income. That's awesome! And this wasn't by luck either, or “being in the right place at the right time” that many have leveraged much of their success from, Jake got there though hard work and dedication to his readers. A real webcomic inspiration! This is the goal that every webcomicer should be aiming for and his success shows that it IS acheiveable! - Only IF you can put in that work though. It's not easy, no short-cuts.
Feb 25, 2013
In this special behind the scenes version of the Quackcast we take a look at the men behind the microphones, their struggles and triumphs as they work tirelessly week after week to put out Quackcasts- We cover the early days, the rising tensions between our two mega-popular superstars, the infamous post-post-post-fencepostmodernist-avantegaurde artsy experimental Quackcasts, Bane's personal hell with his Nesquik abuse issues and the resultant humiliating on air breakdown that shocked the world and brought to light the realities of the inner-city Nesquik problem, Skoolmunkee's short lived return and inevitable decent into evil (currently on death row), Bane's and Ozone's triumphant reconciliation and the return to Quackcast glory for our dynamic duo!