LISTEN!
What makes bad guy intimidating? Tantz Aerine made a great newspost about the question, carefully outlining various key bad-guy properties like confidence, composure, efficiency, and amorality. Banes, Pitface, Tantz and I stomp ALL over that, traipsing about like drunken, muddy rugby players, as we blather on about our opinions ...

Quackast 389 - Intimidating Baddies
Ozoneocean at 12:00AM, Aug. 28, 2018Quackast 388 - Coding for Men and women
Ozoneocean at 12:00AM, Aug. 21, 2018 LISTEN!
In this Quackcast we discuss the artistic coding used to represent males and females in comic art in a simple, minimal way. Pitface joins us, along with Banes and Tantz Aerine!
Much like an expert physicist is able to simplify enormously complex equations into something seemingly simple like E ...
Quackast 387 - History and Pastiche
Ozoneocean at 12:00AM, Aug. 14, 2018 LISTEN!
In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the ...
Announcing the 2018 Drunk Duck Award Finalists!!
kawaiidaigakusei at 12:00AM, Aug. 13, 2018
The nominees have been announced and current volunteers have been given assignments.
We still need more volunteers. There are 12 unclaimed presentations and 25 judging slots still left over.
2018 Finalists: Genre/Style Awards
My Life as An American Hero 2
Kitty Kitty Bang Bang
Mindfold
Steel & Manitou
Jay’s ...
Quackast 386 - These are the books that made us
Ozoneocean at 12:00AM, Aug. 7, 2018 LISTEN!
In this Quackcast Tantz, Banes and I have a chat about the novels that influenced us when we were growing up. Each of us barely even touch on them but we do bring up some interesting titles… for Tantz it was the sexy comic Storm and the novel The ...
Quackast 385 - Drawing the line
Ozoneocean at 12:00AM, July 31, 2018 LISTEN!
In this Quackcast we talk about where the line is for YOU in your work about what subjects and imagery are too far for you. What is too horrible, too controversial, too extreme for you to approach? Is it blood and gore, something controversial and political, swearing, religious, sexual ...