There’s always an issue every artist has at some point and that is having stiff looking characters.

It is incredibly hard to actually have a fluid looking character. Also because, as humans, we are kind of stiff. Not every single person moves smoothly like a Disney character gliding across ...

Conflict in a story is not only necessary, it can be the juiciest part of your comic. Think about it! We often remember and recount the parts of a movie, comic or show where the emotions were the strongest. A solid vitriolic scene can result in one hell of a ...

One of the things I love the most about comics, is the prep work, which may not be obvious by the countless amount of times that I’ve stated that I’m doing absolutely no prep work as of now for Scorned; but when I worked on Scarred Eden, that ...

An effective way to land the climax of your comic arc is to build it up using foreshadowing. Foreshadowing is when a creator lays down small nods or clues throughout their story that an event is going to happen or a character is going to act a certain way. When ...

Backstories. We all have ‘em. After all, we wouldn’t be here today if we didn’t. Without our memories, we are like a blank slate waiting to be drawn on. Trust me, I’ve had amnesia. It’s not fun to have to rebuild your life brick by brick ...

Last week, errrrrrrrr… the week before that, I talked about frames, the magical use of frames, the emotion you can give them, the shapes, sizes, how that can all add to the story you’re telling.
Kind of like how music can really be important in movies, it just gives ...

The other day I happened upon a movie called Primer from 2004. It's well regarded for how original it is and also for being made for only 7,000. That's a shockingly low price, even for low budget films.

I enjoyed it, though I found it a tough ...

What is one of the big things that holds us back? Normally it’s us caring too much, caring about what we do, how we look, what others think and more.

Last week, while writing the article The Magic of Frames I was talking to PIT_FACE about it and she ...

There's nothing more satisfying than writing a twist villain. The person that everyone trusts or nobody suspects, who ends up being the mastermind for all the evil stuff that happened all along.

The person that everyone defers to for advice, that leans on for support, that is there to ...

shields up!

Our struggles are probably different in some ways, and maybe the same in others. But as comic creators, there are certain issues many of us have in common:

Finding time to make our comics,
Spending too little time…or too much time on them,
Making decisions about our ...