These past few days in Greece we’ve had torrential rains that feel like the prelude to a second Flood- terrible casualties included. And that got me thinking that it rarely rains in webcomics.

Usually the weather is dry in sequential art- perhaps because it’s troublesome to draw characters ...

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This came out of a chat between Emevsa (http://www.theduckwebcomics.com/user/Emevsa/), Bravo (http://www.theduckwebcomics.com/user/bravo1102), and I in a thread about turning your comic into a film or TV show.

How about US DDers practise doing short script adaptations of parts of our comics ...

Considering that a lot of comics have politics embedded in their stories or worldbuilding or actively part of their characters’ parameters, what would constitute a political comic as opposed to a comic containing politics?

In my opinion and from the general descriptions of this budding genre, a political comic is ...

I’ve written about controversy before, and how it has its uses. But I haven’t really yet discussed what makes a comic controversial.

There are the usual hype-controversies like gender bending and race swapping in characters, but in my opinion these types of controversial issues are just what I ...

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In this Quackcast we chat about how objectification can rob the humanity from a character and turn them into a meaningless object which can in turn alienate your audience by making your work less relatable, but with things like porn where character is less important than the on screen ...

Feedback from your audience has always been important- from the renaissance palace parlors to enlightenment salons to the modern art galleries, how much the audience is pleased by what the creator procures is central.

But in the age of the internet and webcomics, where comics are updated page by page ...

So you have your kick ass story ready, you’ve researched your world well and feel comfortable in it, and you have an awesome set of personalities to equip your characters that will propagate your story (or complement it if the plot is story driven).

The only thing left to ...

Having decided that shock value is needed in your comic and you must scare, disgust or generally traumatize your audience in some way in order to get the emotional reaction to serve your theme and your subject matter, how do you decide when and where to draw the line? (note ...

We’ve heard it and experienced it many times: For a creator to make an impact, to truly etch his/her message in the brains of his/her audience when it comes to art, from novels to films to comics, imagery with a high shock value is employed or simulations ...

Every building needs a skeleton in place before building begins, so that the end product will be sound. It’s no different with fantasy world building: before you begin gathering and using your story’s bricks and mortar (= the research) you need to have the world’s skeleton, or rigging ...