Lately more and more comics and animated features seem to consciously, and more importantly loudly, incorporate political messages in their stories. From feminism to social stratification and discrimination, to racism and xenophobia or even depression and psychological trauma.

This is by no means a new thing, to incorporate themes and ...

Writing Timeclocks


Timeclocks are one of those elements of fiction that usually shows up in the middle or just before the final act, to give things a little boost in the adrenaline department, and make the drama more urgent. Not only are your characters facing big problems, but suddenly their ...

Happy June 1st everyone!

I have been youtube-crawling today around the cinema pop-culture side. And as I was watching assorted comments and commentary on a whole lot of YA (i.e. Young Adult) and children's books and TV/film/animation series, from Harry Potter to The Last Airbender to ...

This is a topic that Ozoneocean suggested to me and I have to say I'm quite intrigued to tackle it and start a conversation perhaps around the concept as a plot device but also as an issue of the relationship of the creators and the audiences.

Betrayal can be ...

by Frank Miller

SHOWING MOVEMENT

I was talking to my brother about writing scripts for comics and mentioned that I sometimes forget that what I'm writing can't move. I'd start accidentally writing as if it were a movie script, with characters moving around, then realize that I ...

What's in the Box?

An iconic part of the movie Pulp Fiction is the McGuffin that Jules and Vincent deliver to their boss, Marcallus Wallace. It's a briefcase that, when you open it, glows on the face of the person looking at it and absolutely astonishes them. Is ...

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On one side we have creators of content and on the other we have the consumers. The consumers number in their billions and they're voraciously hungry ...

MILESTONE

Matt@Deadpen writes:

Coward of Valor surpassed 1000 pages today, and will be three years old in a couple of days…

So, I really don't like to revel in my own achievements, as I'm fearful of inflating my head full of hot air and such… But as ...

Last week we looked at lovable/hateable villains. So, in that spirit why not flip this coin and talk about what makes a hero feel real. Now, a protagonist is not necessarily a hero. For instance, despite being the main focal point through which we, the audience experience the story ...

I've talked about villains before and how they can be very nuanced in their motivations (without those motivations being redeeming) but today, thanks to Emma Clare's Friday post, I became inspired to talk about abject, absolute, abominable villainy! The twirling mustache type, the one that is so pure ...