Silly Sweetie takes a close glimpse of the lives of adorable versions of a guy and a girl through little vignettes. The stories contain little to no dialogue, but they show the silly side of the two characters when they play practical jokes on each other or when they are ...

Typically I work on my comics and illustration at home in my studio. I know I'll have everything I need on hand, for one. Also I hate and mistrust almost everyone and everything, as working in the service industry for the majority of my adult life has left me ...

Howdy!

I was going to go over the structure of a comedy story, based on the fine book “The Comic Toolbox” by Jason Voorhees.

If you have the interest, I can go into the structure outlined by Jason; he lays out a few different options that you may find useful ...

LISTEN!

In this Quackcast I wanted to talk about the magic of authorship: how the creator of a story sets up the whole situation so that they can convince the reader of anything. You can write a story about the smartest man in the world, and the reader will believe ...

image from The Art of Veiling, by yours truly

There have been posts before (I think) about how to go about creating a world, especially when it comes to fantasy settings. You’re supposed, if you want to do it right, to build everything that makes up the world in ...

Every now and again, an acquaintance or friend who ain't as deep in comics culture and creation as I am (which is to say they ain't really got much of an idea about comics but have seen the Sunday funnies page and know that Batman is a thing ...

So last week I talked about the basic principles of dialogue, so the recipe to the cake itself. But now I’d also like to talk about that cake’s icing and trimmings- what will make the dialogue we’re writing be fun and distinct and pop in our comic ...

Aight y'all, go ahead and fasten yer proverbial seat belts, on account of we got a lot of ground to cover with this one! Actually come to think of it there ain't really too many proverbs about seat belts; more like I'm stretching out a turn of ...

Failure is the stepping stone to success. That’s what I teach my students and my clients, and it is true, right up there with “whatever doesn’t kill you makes you stronger”: If you learn why you failed, you won’t fail again the same way- and that brings ...

A character will stay stuck in their ways if they can, just like a real person tends to. It takes effort to move forward and achieve things. And we resist.

In the beginning of a story, a character might feel comfortable where they are, but they are usually incomplete in ...