Howdy!

I was going to go over the structure of a comedy story, based on the fine book “The Comic Toolbox” by Jason Voorhees.

If you have the interest, I can go into the structure outlined by Jason; he lays out a few different options that you may find useful ...

Comedic Characters - You Take the Good, you Take the Bad…

This week we continue talking comedy. Last time we started creating characters by choosing a “STRONG COMIC PERSPECTIVE”…like greed, innocence, obseque–obquestri–obteq– uh, weasellishness, and then EXAGGERATING that perspective to the extreme.

Now we finish creating our characters ...

Let me start off by distracting y'all from my complete and total failure to even show up last week by saying, hey! to celebrate TEN YEARS of PUTRID MEAT, Pit Face has made this special behind the scenes “the making of…” video for y'all! Check it out!
https ...

Last week I looked at a theory of the “comedy premise” that has to do with crossing the mundane with the unusual.

Here's that post:

http://www.theduckwebcomics.com/news/2017/apr/12/comedy-part-one-the-premise/

This week: Creating Comedic Characters!

Using the same principle as the “premise” creation, we can ...

HAPPY THURSDAY!


The comedic premise is very much the same idea as a premise in any other genre. It's got the same elements…Character, goals, themes, conflict…

Plus laughs.

One way to look at or create a comedic premise is that it has some kind of separation from reality ...

LISTEN!

For this Quackcast we decided to chat about quirks- the things that stand out about a character, help you remember them, get interested in them, traits that pick them out as individuals and can ALSO be used to point at deeper character traits! These are so useful in so ...

So last time I talked about the little extras that can go into dialogue and how that dialogue can be presented on the page of your comic, so I was thinking today might be good to continue in that general trajectory and talk about little extras in your character design ...

Every now and again, an acquaintance or friend who ain't as deep in comics culture and creation as I am (which is to say they ain't really got much of an idea about comics but have seen the Sunday funnies page and know that Batman is a thing ...

But and Therefore

I'm a fan of user-friendly, practical advice on things, especially writing. It's why I dig the Banes Method (it's not my method; it's just named after me).

Anyway, I came upon some dandy advice from Trey Parker and Matt Stone of South Park ...

So last week I talked about the basic principles of dialogue, so the recipe to the cake itself. But now I’d also like to talk about that cake’s icing and trimmings- what will make the dialogue we’re writing be fun and distinct and pop in our comic ...