And so we're finally here. The magnificent, ever so popular and edgy Gray characters are the object of our observation today!

Gray characters are those that sit on the fence, being not quite white and not quite black, and this ever walking the tightrope of the narrative's morality ...

Last Wednesday, I was lucky enough to snag some tickets to a stand up comedy club in Downtown San Diego's Gaslamp Quarter. I am an avid fan of Saturday Night Live from the early 2010s/Bill Hader era. Therefore, I constantly stream stand up routines of my favorite comics ...

Depicting a culture different to ours can be a tricky process. There are a ton of pitfalls involved, from showing a stereotypical (right down to racist) almost fetishized version of the actual culture to presenting it in a light directly connected to the author’s/creator’s culture (therefore either ...

LISTEN!

This week we mine Banes's ideas about damaged protagonists. Does having physiologically damaged protagonists (as opposed to merely flawed), make them more realistic or relatable? I think we came to the conclusion that this isn't necessarily the case at all, in fact it can mean the opposite ...

This is mainly an issue with female characters…
But what IS objectification?
Objectification is when you rob a character of traits that make them human and turn them into something closer to an object.

One common view, that I feel is in error, is that characters are objectified by how ...

So you have your kick ass story ready, you’ve researched your world well and feel comfortable in it, and you have an awesome set of personalities to equip your characters that will propagate your story (or complement it if the plot is story driven).

The only thing left to ...

So we come to the end of this long litany of presentations on Jung’s assorted archetypes that craftsmen of the narrative arts have used since time immemorial to weave their yarns.

And what better way to end with the crowning jewel in every story, from books to movies to ...

Right now I’m drunk. So I can’t write about the final part of Jung’s Archetypes. Mainly because I don’t want to and can’t make myself.

So instead, I’d like to talk about flashbacks, and methods of depicting them in comics.

A flashback, of course ...

But and Therefore

I'm a fan of user-friendly, practical advice on things, especially writing. It's why I dig the Banes Method (it's not my method; it's just named after me).

Anyway, I came upon some dandy advice from Trey Parker and Matt Stone of South Park ...

So last week I talked about the basic principles of dialogue, so the recipe to the cake itself. But now I’d also like to talk about that cake’s icing and trimmings- what will make the dialogue we’re writing be fun and distinct and pop in our comic ...