Sometimes the arch villain of the story is the one pulling all the strings in the background, and the protagonists don't know about them until the endgame.

And other times, the arch villain gets to clash with a protagonist (or an opposing character) that is also a mastermind pulling ...

Designing memorable characters doesn’t just stop at their appearance. The manner in which they speak and use body language is integral to building a full picture of who they are as a character as well as how others react to them. Here are some tips on how to make ...

Reverse-Engineering Conflict in a Story
part one

Conflict is the basic material of a scene, and of a story. I've talked a lot over the years about structure and genre, and how all that stuff can work.

Another way to create a new story, and new characters, is to ...

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On Friday the 16th the site was down for a while. Nasty, but we fixed that and chatted to our programmer Alexey about starting the update program ...

Hello hello hello!!!!

To all those who were wondering, The Duck’s Anthology “The Duck: REANIMATED” IS FINALLY OUT!

It is here boys and girls, lad and lasses, my people with dummy thicc asses.

BUY IT HERE!

A lot of work and love went into this anthology, and I am ...

In the early parts of the story, it helps the quality of the thing and the experience of the audience to layer in the details that will come into play later.

These are little character and world details that will come into play later - the sword that falls off the ...

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Schemers can be part of some great stories when they're done well! When they're done badly though they're very annoying! Schemers, plotters and planers ...

There’s always an issue every artist has at some point and that is having stiff looking characters.

It is incredibly hard to actually have a fluid looking character. Also because, as humans, we are kind of stiff. Not every single person moves smoothly like a Disney character gliding across ...

If you are in a fairy tale and encounter an Old Woman… never take that meeting lightly. It's usually a test of character: the manner in which you respond to her will be a measure of how kind, decisive, clever, obliging, evil, rude, crass, abusive, or idiotic you are ...

Conflict in a story is not only necessary, it can be the juiciest part of your comic. Think about it! We often remember and recount the parts of a movie, comic or show where the emotions were the strongest. A solid vitriolic scene can result in one hell of a ...