Photo: “Where Do We Come From? What Are We? Where Are We Going?” Paul Gauguin. Oil on Canvas. Museum of Fine Arts, Boston. (1897-98)

A somber recollection carries me back twenty-two years ago on this day when I walked into a class where an inconsolable history teacher delivered a line ...

The sheer power of a good team is so defining that it's a trope. Some of the most iconic characters and beloved personalities have emerged from stories featuring teams of main characters.

Each of them are vital to the story, each of them contribute both in terms of the ...

During the filming of Psycho, Alfred Hitchcock was unable to be on set one day. His crew filmed the scene for that day (I believe it was where Arbogast, the detective, goes up the stairs where he encounters Mrs. Bates). Hitchcock saw the footage, and said he had to reshoot ...

The debate on what constitutes a “strong female character”, whether having “strong female leads” or “feminism” is tanking “woke” films these past few years, is ongoing. There's accusations of toxicity on both sides. Misogyny, misandry, wokeness and brokeness, all of these terms and hot takes are fired and take ...

I think many of us who make comics or write stories or are interested in writing can agree that mistake number one in writing is to front-load a story with a long-winded backstory. We've talked about it here on the site plenty of times.

There is an opposite mistake ...

There are little rat-like children with superpowers running around the cold winter streets of future Phoenix Arizona. They're part of a despised underclass, akin to the homeless and vagabonds who they sypathise with and help. Many years ago a comet of extra-solar origin was destroyed on a collision coarse ...

So I've finished Without Moonlight (yes I know I've shouted it from the rooftops already) and I'm starting on a new comic. And prepping WM vol. 2.

This time, as a …seasoned webcomic artist…


STOPPIT

Anyway, with the experience I've gathered, I'm actually building a ...

The idea of “sin” is a prevalent one in horror stories. In terrifying tales, the monstrous against the human also explores good vs. evil.

There is often a “sin” perpetrated by horror Protagonists. The classic Psycho begins with Marion Crane stealing money from her job. Her intentions are understandable, maybe ...

So lately there has been a repetitive sequence of events that seems to carry on until some kind of death- of the story, of the company, or of the genre for a few years or so:

1. Disney remakes a classic fairytale or animated feature (live action/3D/etc)
2 ...

Probing these mists for a console ancient
Caught in its patience I unsealed the gate
Prying those depths for a future latent
Omens so blatant I entered the gate
Pending the screams for a horror dormant
Leaving from torment I buried that gate


NaaN (Now, always and Never)