Episode 419 - The Rating Game
Mar 25, 2019
It's the rating game! Yeah! This Quackcast was inspired by Emma Clare's newspost on Friday about rating levels. On Drunk Duck we have 4 rating levels so they're nice and simple: “E” for everyone, “T+” for teens, “M” for mature, and “A” for Adult! We talk about why ratings exist and how to use them.
Topics and Show Notes
But why do ratings exist? Well it's complicated actually…
The main reason is that all cultures have various taboos and things they consider inappropriate to be viewed in certain situations so most countries have ratings systems set up to cater to that. Ratings are partly used to restrict access to some material (eg. stopping children from seeing violent or sexually explicit content), and partly as a way of marketing material: ratings let people have a good idea of the content, so parents will snap up any child rated material for their children to see and adults will know that higher rated things will be more appealing to them. Ratings such as “NC17” and “MA+15” were invented so content creators could sneak in more of what adults want to see in films (sex and violence) and still avoid a higher more restrictive rating which would mean they have less of a market because there are less forums to display and advertise higher rated work.
Ratings on the duck
We only have four ratings levels. These are based on old style film ratings, we do this to try and avoid confusion. Higher ratings mean you have a lot more freedom in what you can show but less freedom in who you show it to: “A” rated work is ONLY visible to adults (not kids) who are logged into the site. Theduckwebcomics is one of the few webcomic hosting sites that allow creators to post very sexually explicit material. Work is self regulated, we expect creators to be responsible adults here. The rating of a comic can be changed by us upon request, but we prefer to ask the creator to do it themselves. Here are our ratings:
E: Everyone
Open to everybody. Non-offensive material in text or imagery. Appropriate for both children and adults.
T+: Teen
Content is suitable for teens or older. Mild violence, slightly mature themes. No obscenities, graphic violence, sex, or nudity.
M: Mature
Content contains mature themes that might not be suitable for children. May contain occasional obscenities, limited graphic violence, implied sex, mild nudity. No sexually explicit material, no graphic sexual acts, no Hentai, no unrelenting violence, or non-stop obscenities.
A: Adult
Content is sexually explicit, exceedingly violent, or an excess use of obscenities. Must be logged on to view.
This week Gunwallace has given us the theme to Blighted The Odyssey: The spirit of exploration, taking you far out into the deep black starlit ocean. St Elmo’s fire glows around the mast and yards, swirls of glowing plankton cling and drift away from the sides of the hull as you venture further into the unknown, disappearing into the darkness…
Topics and shownotes
VIDEO exclusive!
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
https://www.patreon.com/DrunkDuck
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!
Featured comic:
Sunstrike and Bluemist An Origin Story - https://www.theduckwebcomics.com/news/2019/mar/18/featured-comic-sunstrike-and-bluemist-an-origin-story/
Links:
Emma Clare's ratings newspost - https://www.theduckwebcomics.com/news/2019/mar/21/rating-your-comic/
DD ratings list - https://www.theduckwebcomics.com/about/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/banes
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Featured music:
Blighted The Odyssey - https://www.theduckwebcomics.com/Blighted_The_Odyssey/, by Alpharie, rated M.
Episode 417 - Can we be better?
Mar 11, 2019
What is Social Marketing? Basically its word-of-mouth and viral marketing smashed together and weaponised: Marketing companies hijack hot-button social issues and hitch their client's brand to them in clever campaigns (“We can be better”, etc). The purpose isn't really to make a brand seem progressive, modern or new, rather it's another way of getting it trending on social media that's guaranteed to work, unlike the legion of hit or miss but mostly failed “Viral” campaigns. Whether people say negative or positive things about this issue is irrelevant to the marketer, as long as people are talking about the brand is all that matters. Free advertising is the goal, but it has a social cost.
Episode 408 - The imitation game
Jan 6, 2019
Happy new year! This is the first Quackcast recorded in 2019! Pitface is back too, can you believe it? In this Quackcast we chat about Imitation, based on Amelius's newspost from last Sunday. How do you know if someone has copied your work, just been influenced by it or influenced from the same sources as you, or has actually stolen your work wholesale? And what do you DO about it? Is imitation or someone doing the same thing as your “original” idea, always a bad thing?
Episode 403 - Eat yer serial!
Dec 2, 2018
This Quackcast was inspired by a newspost by Tantz. There seems to be this prevailing idea at the moment that serialised storytelling is better than episodic style stories. Tantz informs me that it's one of the many Twitterverse controversies! So let me explain what I mean here: Episodic story telling is when most of the story you're telling can be parcelled into the course of an episode: you can have a strong beginning, middle and satisfying conclusion in the course of your episode, whether that takes the form of a comic chapter, a page, a strip, or a half hour TV show. The Serial style has things stretching over multiple chapters or TV episodes. What we talk about in this Quackcast is that it's an utterly false dichotomy: You do not have to have either or, in fact most projects have elements of BOTH at the same time and it's a little foolish to think that one style could possibly be inherently superior to the other since they're just tools for telling a story. It is up to the creator to pick which one is right for their own work and the context in which it's going to be shown.
Episode 398 - The sum of all Fears
Oct 29, 2018
This week in the Quackcast we were going to talk about fear in general. What are we afraid of? Why do we like or do not like media that may reflect these fears or lead us to new ones? How do such things inspire fear or similar reactions within us. DO we like horror because we like fear to an extent? It's that Halloween time of year once again so it's time to focus on such things. We had Emma Clare on board as well! Oh it was going to be so amazing and fun! Little did we know…
Episode 396 - Amelius and Patreon
Oct 15, 2018
Amelius of the magnificent and eternal Charby The Vampirate returns to the Quackcast today! Amelius was the first person we every interviewed and Charby the Vampirate has been on Drunk Duck exactly as long as Pinky TA: since January 2004! Tantz and I chat to her about the new Patreon she has going for Charby and all the amazing bonus perks you can get on it. If you're a Charby fan you should definitely get in on that. Amelius has also agreed to join us on DD to do newsposts every week! So you will be seeing some cool content from her regularly. She has a LOT of comic making experience to impart.
Episode 394 - Nostalgia, creative fuel?
Oct 1, 2018
Nostalgia! - Where does it fit in the creative process? People are the product of their influences. For a lot of us the strongest influences happen when we're growing up and learning about the world and all the things IN it for the first time. As you get older the things you experience don't make as much impact, simply because your brain has already had most of its “first times” and it's already learned enough about the world to be fully functional and independent.
Episode 392 - Outside hobbies
Aug 19, 2018
In this Quackcast we chat about what interests we have outside of webcomics and we want to know what YOU do as well. What are your hobbies and interests? Our interests and hobbies really inform what we do as comic creators in all sorts of ways, it can be fascinating to learn about what drives a person and what led them to be where they are now. For Banes it was music, keyboards, drums, magic and ventriloquism. For Tantz it's writing and a fascination with surgery. For Pit it's archaeology, heavy metal, and art. For me it's making, art, costume and sewing. What about you?
