Episode 419 - The Rating Game
Mar 25, 2019
It's the rating game! Yeah! This Quackcast was inspired by Emma Clare's newspost on Friday about rating levels. On Drunk Duck we have 4 rating levels so they're nice and simple: “E” for everyone, “T+” for teens, “M” for mature, and “A” for Adult! We talk about why ratings exist and how to use them.
Topics and Show Notes
But why do ratings exist? Well it's complicated actually…
The main reason is that all cultures have various taboos and things they consider inappropriate to be viewed in certain situations so most countries have ratings systems set up to cater to that. Ratings are partly used to restrict access to some material (eg. stopping children from seeing violent or sexually explicit content), and partly as a way of marketing material: ratings let people have a good idea of the content, so parents will snap up any child rated material for their children to see and adults will know that higher rated things will be more appealing to them. Ratings such as “NC17” and “MA+15” were invented so content creators could sneak in more of what adults want to see in films (sex and violence) and still avoid a higher more restrictive rating which would mean they have less of a market because there are less forums to display and advertise higher rated work.
Ratings on the duck
We only have four ratings levels. These are based on old style film ratings, we do this to try and avoid confusion. Higher ratings mean you have a lot more freedom in what you can show but less freedom in who you show it to: “A” rated work is ONLY visible to adults (not kids) who are logged into the site. Theduckwebcomics is one of the few webcomic hosting sites that allow creators to post very sexually explicit material. Work is self regulated, we expect creators to be responsible adults here. The rating of a comic can be changed by us upon request, but we prefer to ask the creator to do it themselves. Here are our ratings:
E: Everyone
Open to everybody. Non-offensive material in text or imagery. Appropriate for both children and adults.
T+: Teen
Content is suitable for teens or older. Mild violence, slightly mature themes. No obscenities, graphic violence, sex, or nudity.
M: Mature
Content contains mature themes that might not be suitable for children. May contain occasional obscenities, limited graphic violence, implied sex, mild nudity. No sexually explicit material, no graphic sexual acts, no Hentai, no unrelenting violence, or non-stop obscenities.
A: Adult
Content is sexually explicit, exceedingly violent, or an excess use of obscenities. Must be logged on to view.
This week Gunwallace has given us the theme to Blighted The Odyssey: The spirit of exploration, taking you far out into the deep black starlit ocean. St Elmo’s fire glows around the mast and yards, swirls of glowing plankton cling and drift away from the sides of the hull as you venture further into the unknown, disappearing into the darkness…
Topics and shownotes
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Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!
Featured comic:
Sunstrike and Bluemist An Origin Story - https://www.theduckwebcomics.com/news/2019/mar/18/featured-comic-sunstrike-and-bluemist-an-origin-story/
Links:
Emma Clare's ratings newspost - https://www.theduckwebcomics.com/news/2019/mar/21/rating-your-comic/
DD ratings list - https://www.theduckwebcomics.com/about/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/banes
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Featured music:
Blighted The Odyssey - https://www.theduckwebcomics.com/Blighted_The_Odyssey/, by Alpharie, rated M.
Episode 417 - Can we be better?
Mar 11, 2019
What is Social Marketing? Basically its word-of-mouth and viral marketing smashed together and weaponised: Marketing companies hijack hot-button social issues and hitch their client's brand to them in clever campaigns (“We can be better”, etc). The purpose isn't really to make a brand seem progressive, modern or new, rather it's another way of getting it trending on social media that's guaranteed to work, unlike the legion of hit or miss but mostly failed “Viral” campaigns. Whether people say negative or positive things about this issue is irrelevant to the marketer, as long as people are talking about the brand is all that matters. Free advertising is the goal, but it has a social cost.
Episode 416 - Making cuts
Mar 4, 2019
The entire team is here this time, no one was cut… So we're chatting about CUTTING, as in cutting out scenes to make a story cleaner, leaner and less flabby, but also NOT cutting because in a webcomic you don't have to, and when you cut badly you end up with a “D movie” effect where story scenes don't follow, don't make sense and plots seem to go nowhere or happen for no reason.
Episode 415 - lazy solutions cause plot-holes!
Feb 25, 2019
This Quackcast expands on my newspost from Friday about forgotten abilities causing plot holes, but now bunny Banes and Lady Tantz wade in to lend their genius to my silly ideas and we chat about what the real issues are: bad writing and laziness! This is when a character gains the ability to walk through walls or become bullet proof or go back in time and then forgets it for the rest of the story or in the sequel When basically 80% of the problems they encounter could be solved by it… And you're mentally screaming at them “Use your damn power that you got 20 pages ago… Remember that thing that would help you avoid all this trouble!?” Using easy solutions to get out of problems causes plot-holes! And your audience will hate you for it.
Episode 413 - Breaking structure
Feb 11, 2019
It's just Ozoneocean and bouncy Banes today. This time we're chatting about breaking and subverting structures, formulas and conventions in webcomics. Commercial creative projects need to use formulas and familiar structures because that's what audiences expect, it's also what studio executives, creative editors, publishers, producers and all the people that greenlight those projects need and expect as well. The Hero's Journey and other conventions and formulas aren't just used because they make good stories but because of the commercial realities and risk averse nature of the industry (there's a lot of money and jobs on the line). Webcomics don't have those pressures so we're talking about why webcomics shouldn't necessarily adhere to popular formulas and structures and why many don't.
Episode 410 - Say My Name
Jan 20, 2019
Coming up with character names can be a real challenge because once you settle on one they can define the character just as much as their personality and looks! Names also affect how you name other characters: are they too similar, like Betty and Barney? Will it be an unintentionally meaningful combo like George and Washington? There are so many things to consider, it can be daunting. In this Quackcast we talk about some of the methods that duckers have used to come up with character names. It's pretty novel and interesting, anything from using friend's names, names that have special meaning to them, names that have inerrant meaning, names that deliberately have NO meaning, place-holder names, names from the phonebook and more. Your options, methods, and reasons are endless! Tell us what's behind YOUR character names!
Episode 409 - Meaning, Intention, and symbolism
Jan 14, 2019
The topic we discussed in this Quackcast was looking for symbolism, meaning and intention in comics: The English literature approach! Deeper meanings and all that. It's fun to do actually and sometimes you really can hit upon the intentions of the creator, uncover NEW meanings, or just do it to entertain yourself. We used our own comics for an example and talked about things beyond the superficial for a change. For example: Banes' comic Typical Strange is a sitcom set in a video rental store, staffed by a group of characters that make up the cast. Why is it set in a place that is clearly decades out of date and relevance? A video rental place is an anachronism in this time. Is it saying that the characters themselves are stuck in time? It's a sitcom comic so situations often reset or rewind back to the status Quo, so that interpretation would seem to fit… Of course that wasn't Banes' deliberate intention but it's fun to think about that way.
Episode 408 - The imitation game
Jan 6, 2019
Happy new year! This is the first Quackcast recorded in 2019! Pitface is back too, can you believe it? In this Quackcast we chat about Imitation, based on Amelius's newspost from last Sunday. How do you know if someone has copied your work, just been influenced by it or influenced from the same sources as you, or has actually stolen your work wholesale? And what do you DO about it? Is imitation or someone doing the same thing as your “original” idea, always a bad thing?
