Episode 317 - Hannagrid Wright Interview!
Apr 3, 2017
Today we interview Hannagrid Wright aka 5thezombie! She's the creator of the great Sci-Fi webcomic To The Galaxy And BACK! -featured by Kawaii last year. To the Galaxy and back features Kat and Zoey, two girls that have been drawn together by fate, across the universe, to have all sorts of adventures in outerspace. All Zoey really wants is to get back to her dad, but having a dashing adventurer alien companion is going to make the ride a little more fun. Hanna is a cool person, she's just starting out on webcomics and already she has a nicely pro art style. She's mastered an efficient method of storytelling that's compelling, perfectly balanced for frequent updates, and makes her comic very easy to consume! Pit and Banes did a marvellous job in interviewing Hanna with me! I hope you read her comic (To The Galaxy And BACK!) and then listen to the interview! The music of Gunwallace this week is Sedna: A warm, deep blue, liquid, viscous, underwater outerspace world of wonder, joy, and luminescent glowing alien creatures…
Topics and Show Notes
Topics and shownotes
Featured comic:
The Gloom - http://www.theduckwebcomics.com/news/2017/mar/29/featured-comic-the-gloom/
Hana AKA 5thezombie links:
To The Galaxy and Back - http://www.theduckwebcomics.com/to_the_galaxy_and_back/
The feature - http://www.theduckwebcomics.com/news/2016/aug/02/featured-comic-to-the-galaxy-and-back/
5thezombie - http://www.theduckwebcomics.com/user/5thezombie/
Her Deviantart - http://5thezombie.deviantart.com/
Doug TenNapel - https://en.wikipedia.org/wiki/Doug_TenNapel/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - http://www.theduckwebcomics.com/user/Banes/
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE
Featured music:
Sedna - http://www.theduckwebcomics.com/Sedna/ by Thomasmcdonell, rated E.
Episode 314 - The failure of heroes
Mar 13, 2017
When heroes fail… Hey, why would you ever want a hero to fail? Well there are a lot of reasons and listening to this Quackcast will tell you why, but the quick version is that you don't want your hero to be a perfect Mary-Sue sort of character. Having your hero fail in their goals means you have somewhere interesting to go with your story. Having your hero fail emotionally means you can give them character development and make them more interesting. If you want to learn more then either listen to us or have a look at Tantz's newspost where I took the idea from! Our music this week from our resident composer Gunwallace is a theme to The World Outside of Time. It evokes a cold, echoing club scene, bleak and icy, with the promise of brief companionship, but not the reality.
Episode 312 - happy little trees
Feb 27, 2017
In THIS particular Quackcast it's just Banes and I chatting about tips and tricks for artwork. Hopefully some of the stuff we mention is helpful to someone, I tried to illustrate some of that in the cover pic. Banes drew the image of Penny crashing through a scene which I've coloured and added trees, oceans, mountains, clouds, fire, smoke etc all with the use of simple custom brushes. The shading was all done just by painting grey over a layer set to “multiply”, which makes all light colours transparent and darker colours less so, so that you get a perfect tool for making shadows! Anyway, listen to the cast and maybe you'll get something out of it! The music that Mr Gunwallace has for us this week is for Mr Valdemar and other gothic tales - The tinkling crystal notes of a piano are paired with the dark woodiness of a mournful cello and touches of strings to give us this haunting gothic soundscape.
Episode 309 - boring action scenes
Feb 6, 2017
What makes an action scene boring? Action scenes should be exciting and fun, but often it's just the opposite! In this Quackcast we discuss the topic of Tantz's newspost from the other day and tackle this hard question. These were Tantz's conclusions: - You don’t yet care enough for the characters involved in the action to worry about them; - If the action is introductory you don't get to understand what's happening enough to care; - The action is badly choreographed or ‘cut’ in a way that the audience can’t understand what is going on; - The action is too much too soon, and back to back; In this Quackcast we try to delve a little more into that :) The featured music this week by Gunwallace was for Starfox Adventures The Comic: Firing the main rockets and racing through space, laser pulses and bolts of plasma streak past in glowing lines of destruction as you smoothly barrel roll to avoid them.
Episode 307 - The jerks
Jan 23, 2017
Jerky, jerk, jerks! Let's talk about this type of character… This topic is based on Banes' newspost from Thursday, he based it on characters like Reggie from the Archie comics. Jerks can be pretty good characters in their own right. They can be villains, heroes, antagonists or protagonists, they can even be unintentional jerks like Scrappy do from Scooby Do, Alf from Alf, or Jar Jar Binks from that horrible movie he was in. My favourite jerks are Flashman from the Flashman novels by George MacDonald (you should read them!), Blackadder (particularly the second season), and Zaphod Beeblebrox who I'm cosplaying in the cover pic. Who are your fave and least fave jerks? Gunwallace's musical theme was for The Epic of Blitzov. It's Riff based hard rock, driving beat, heavy, distorted guitars layered over and over with a thunderous yet lyrical lead floating over the top. Orange and black sound.
Episode 306 - Culture club
Jan 16, 2017
Patriotism, flags, nationalism, religion, politics, national symbols hijacked by racists! These are some of the unique aspects of our cultural identity and national differences we chat about on this quackcast. I was inspired by HippieVan's newspost on Friday (about Cultural identity and how it defines our writing), to dive further into the subject of cultural differences. We all share the illusion of a single, global culture, but there are regional differences for all of us that mean we don't see things the same way, and often some of the stuff we mean in our comics is influenced by where we come from in a way that people from elsewhere would never quite get in the same way. We chatted about how the use and wearing of national flags is very different depending on what country you're in. For example, in the USA proudly displaying the national flag is seen as normal and mundane, while elsewhere displaying the national flag can be seen as a sign of extreme conservatism or militant nationalism. Wearing the US flag in most countries is seen as something of a fashion statement, a very commercial one; wearing the flag of the USSR is seen as a statement of ironic rebellion; wearing the Union Jack is punk; but wearing the flag of your own country in Australia, Greece, Canada, Cambodia etc (and many other places) is seen as a gauche statement of too-overt patriotism, even though wearing the flags of the USA, USSR or UK is perfectly acceptable. These and other interesting facets of culture are what we chatted about. Gunwallace's musical theme was for Ayla Speaker For The Dead, it's a sad, sepulchral, grieving dirge-like requiem, with an uncomfortable sting of evil jazzy trumpet.
Episode 305 - Chekhov's phaser
Jan 9, 2017
Chekhov's gun is the principal (as I understand it), that if you have some item, fact or piece of information introduced into your story that you draw specific attention to, then you'd better use it some how later on in your story. The simplest example is a gun: if it appears as a prop lying around in your story AND you draw attention to it, then by the end of the tale it should have gone off. This is because you've set up the parameters for your story in the mind of your audience and they develop certain expectations, if you confound those then they'll be disappointed and think that your story was poor. Having a “gun” on stage isn't so important here, it's the fact that you drew attention to it somehow. It doesn't have to “go off” either, as long as it plays a role in the story somehow. You can trick the audience very easily with these sorts of devices, making them think one item or piece of information will be vitally important, only to make it important in a way they wouldn't expect or to use it to hide the fact that some other thing was important instead. So that's our topic of conversation today! All based off of Tantz's newspost on Saturday. Gunwallace's musical theme was for Grow Up. It's repetitive, relaxing, punk reggae instrumental, with fuzz guitar. A lazy evening on a warm summer beach.
Episode 304 - eeeeeevil!
Jan 2, 2017
What defines evil in fiction? I say the simplest one is bad guys are selfish, good guys are selfless. That is massively over simplistic but it's a good easy template for basic hero's and villains. Basic ones I was just doing a quick thought experiment to work out an easy way to define “good” and “evil” characters in fiction. The more selfless someone is the more “good” they are: the more they think of others, want to help people, put the needs of the masses first, the more willing they are to reach across to their enemies etc. The more selfish a person is the more “evil” they are: if they don't consider the needs or feelings of others, help out their own small group and let others suffer, help themselves first. Of course there are many other more advanced aspects, especially if you consider the relative nature of these things: the idea that everyone thinks they're the good guy from their own perspective, being cruel to be kind, being too authoritarian and heavy handed in the use of power, NOT using power when you should, helping in a way that only SEEMS destructive and selfish, trying to help but causing destruction and chaos in the process, which brings us to the dreaded “unintended consequences”. BUT, the selfless/selfish equation is a nice simple starting point to build from. In the Quackcast we discuss these aspects as well as more advanced notions about what makes a good evil character, what makes a bad one, humanising evil, and weakening you evil character by humanising them too much. Gunwallace's musical theme was for The Cull: Dark, haunting, and compelling- Eastern European Jewish, country and rock, reminds me of Tracy Bonham’s later work.
