An outline for a story, whether it be a one-shot or a serialised epic, needs a strong foundation. The building blocks that will become your comic must be able to stand firm on the themes, concepts, story beats and character moments explored in your outline. “I need an outline?” you ...

Usually when building a character, we go for their general personality in terms of traits, the routine/general behavior they would display, the routine/general things that would interest them and so on.

If you are writing a slice of life story, or a sitcom style series, or anything that ...

So we've talked often about how letting a character die in a story is something that should be used very frugally, because once death occurs, it should be permanent. In most settings, death shouldn't be something that is reversible. If not, it will lose its impact, and the ...

Spoilers for recent Star Wars, eg the Mandalorian.
It went unspoken in my year of Newsposts, but 2020 is the 40th Anniversary the release of The Empire Strikes Back.

that's not true! That's impossible!
No, man! Search your feelings! you know it's true! Forty damn years!


Though ...

When a character the story's cast and audience identify and are familiar with dies, the effect is, or should be, monumental.

Not only because that effectively ends that character's journey (and arc), but also because as an event it has immediate ramifications for all the surviving characters.

First ...

Retconning has a bad reputation.

Usually because it's done in big IPs and franchises when writers change and decide to drastically alter the development of a plotline, and do it by changing established canon about the characters or the history of the setting. Usually it's sloppily done, dealt ...

A subplot is a co-current narrative that runs alongside the main plot, often providing context, character development or further world building. They can be used to build further tension, explore other perspectives or themes.

The theme is what the overall story means. A subplot allows you to lend more emotional ...

Drawing Lies - Deception, Insincerity and Sarcasm

Stories and characters have many contexts where emotion is needed - the happy and sad and angry and scared of it all is a big focus of my own comic drawing - I keep it cartoony (with as few lines as possible) and maybe slightly exaggerated ...

I couldn't have been older than 11 when I read The Flaming Heart of Danko by Maxim Gorky. And boy, did it cut me with the finest of fine glass. Even now thinking about the short story hurts somewhere deep in my soul.

And yet, I love it so ...

Might as well get it out of the way: if you're a mentor in a story, chances are you're going on a boatride over the river Styx at some point.

When a mentor dies it's often the signal that the main character, the one being mentored, is ...