A dynamic character is one that undergoes important changes or developments over the course of the story. They learn lessons, come to realisations and are ultimately a different person, be it for good or bad, by the end of the narrative. A static character is, put simply, the opposite of ...

As it has been seen very painfully lately in TV, the best story, with the most excellent buildup and most powerful cast of characters will just collapse if the ending isn't good enough.

A technically happy ending that isn't good enough is not going to cut it- again ...

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Cooperation Vs Competition. For decades the mantra was competition is good: it produces progress and makes things better… Well that's actually false. Competition is what you ...

Points of View - part one

In literature, we know there are several points of view that can be used by the author. First person (everything is ‘I did this, I did that’), Third person limited (he does this, she does this, we can see the thoughts of only one character ...

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Tantz's clever idea was that the weather isn't just a backdrop… it's an important prop in it's own right.
Weather can be used ...

Mr Frolik is detective with issues. He has dark looks, a long dark coat and he smokes as he pontificates and ruminates on love, life and serial killers, much like Bill Hicks or Lenny Bruce, but a little more wry. His love life is seriously bad and he doesn't ...

Dr. Karique Mul has a pretty demanding day job and he has the scars to prove it! But after a long day in the daily grind he still has to listen to the banter of his very talkative, faceless driver. But what happens when residual, freeloading ghosts follow Dr. Mul ...

Lately more and more comics and animated features seem to consciously, and more importantly loudly, incorporate political messages in their stories. From feminism to social stratification and discrimination, to racism and xenophobia or even depression and psychological trauma.

This is by no means a new thing, to incorporate themes and ...

When do you bail on a series, movie or story?

We had a pretty fine conversation on the Quackcast last week that wandered into the category of “endings” and when they're set up well vs badly and such. I had a similar convo today with someone about various series ...

Last week we looked at lovable/hateable villains. So, in that spirit why not flip this coin and talk about what makes a hero feel real. Now, a protagonist is not necessarily a hero. For instance, despite being the main focal point through which we, the audience experience the story ...