These past few days in Greece we’ve had torrential rains that feel like the prelude to a second Flood- terrible casualties included. And that got me thinking that it rarely rains in webcomics.

Usually the weather is dry in sequential art- perhaps because it’s troublesome to draw characters ...

I'm not generally a fan of ‘spoofs’ or parodies. There are a few greats of course, like Young Frankenstein, but even the well-regarded ones like the Naked Gun series back in the day aren't ones I was ever crazy about. There are some funny jokes and good performances ...

Emotional Charges and Diminishing Returns

Many writing methodologies suggest mapping out the emotional change of each scene. The scene either starts positive, and goes to either negative or “extra positive”, or starts negative and goes to positive or “extra negative” by the end of the scene.

So if a lovelorn ...

The other day I read a very interesting post by our very own Vickie of Used Books where she was talking about Romance. And what caught my eye the most was her description of the driving force behind romance stories as “relationship-driven conflict”- a very succinct way to put it ...

Having decided that shock value is needed in your comic and you must scare, disgust or generally traumatize your audience in some way in order to get the emotional reaction to serve your theme and your subject matter, how do you decide when and where to draw the line? (note ...

LISTEN!

Starwars, Ender's game, Captain America… All these are great examples (or bad ones) of “retcons”. But what IS a “retcon”?
What it means is that you go back and change an established work by adding new information that has the effect of changing it in a small or ...

CATHARSIS
from the Best of Banes Collection


A writing instructor once gave me brief advice on how to write a story, structurally speaking. It was 1/4 Act One setup, 1/2 Act Two complications and rising stakes (I think), and about 1/4 An Act Three “cathartic ending”.

I ...

Right now I’m drunk. So I can’t write about the final part of Jung’s Archetypes. Mainly because I don’t want to and can’t make myself.

So instead, I’d like to talk about flashbacks, and methods of depicting them in comics.

A flashback, of course ...

Who hasn’t seen this ubiquitous symbol? It’s one of the most typical motifs signifying the balance between opposing forces in the world- but also the ever alternating phases of destruction and creation, of overwhelming overturning of the status quo so the new can be created.

And that is ...

Typically I work on my comics and illustration at home in my studio. I know I'll have everything I need on hand, for one. Also I hate and mistrust almost everyone and everything, as working in the service industry for the majority of my adult life has left me ...