Reverse-Engineering Conflict in a Story
part one

Conflict is the basic material of a scene, and of a story. I've talked a lot over the years about structure and genre, and how all that stuff can work.

Another way to create a new story, and new characters, is to ...

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On Friday the 16th the site was down for a while. Nasty, but we fixed that and chatted to our programmer Alexey about starting the update program ...

Hello hello hello!!!!

To all those who were wondering, The Duck’s Anthology “The Duck: REANIMATED” IS FINALLY OUT!

It is here boys and girls, lad and lasses, my people with dummy thicc asses.

BUY IT HERE!

A lot of work and love went into this anthology, and I am ...

There are many steps involved in creating comics. From planning to plotting, writing, scripting, sketching, pencils, inks or colour, not to mention everything in between! With so many balls in the air, it’s important to take a step back and make time to review. At each stage, where possible ...

In the early parts of the story, it helps the quality of the thing and the experience of the audience to layer in the details that will come into play later.

These are little character and world details that will come into play later - the sword that falls off the ...

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Schemers can be part of some great stories when they're done well! When they're done badly though they're very annoying! Schemers, plotters and planers ...

If you are in a fairy tale and encounter an Old Woman… never take that meeting lightly. It's usually a test of character: the manner in which you respond to her will be a measure of how kind, decisive, clever, obliging, evil, rude, crass, abusive, or idiotic you are ...

Conflict in a story is not only necessary, it can be the juiciest part of your comic. Think about it! We often remember and recount the parts of a movie, comic or show where the emotions were the strongest. A solid vitriolic scene can result in one hell of a ...

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-Banes, your pop culture references are as on point as ever!



I've talked about story structure here many times, normally in similar ways.
A different approach to character and story, one I haven't used much personally, is what we could call the “onion ...

An effective way to land the climax of your comic arc is to build it up using foreshadowing. Foreshadowing is when a creator lays down small nods or clues throughout their story that an event is going to happen or a character is going to act a certain way. When ...