I read some writing…advice? Or commentary? Or something like that years ago that pointed out how often amateur writers will create Protagonists who are writers. If I'm remembering correctly, this was expressed as a bad thing, probably because it's overdone. On the one hand, they say write ...

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Webcomicers need to learn to draw and write in order to become webcomicers. There are many other skills and also different ways to make webcomics, BUT most ...

Protagonists are always in need of antagonists.

Usually, those are visible, concrete, specific: the protagonists are up against someone or someones who are obstructing their way to attaining their goal. Some are even so powerfully clashing against each other that they are nemeses. Superman and Lex Luthor, Batman and the ...

When we think of a Protagonist, the standard type that comes to mind is the underdog, maybe a young character who goes on a difficult journey and learns some lessons and faces many challenges, or a capable person who gets in way over their head in some kind of intriguing ...

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We've done a few Quackcasts about how terrible Mary Sues are… well this is the opposite! Tantz postulated that they can be likable and GOOD for ...

Frames (a.k.a panels) are great, they can look simple or extraordinary, they can help the comic flow and provide feelings, a feeling of dread, excitement, anger, etc. Frames are more than just lines that encase the moments of our characters.

When you’re making your frame you always ...

It is a balancing act when it comes to the level of detail we comics artists like to include in each page and the speed at which we can complete said page. Sitting back and seeing a beautifully coloured render of your work may be satisfying, but is the level ...

So the other day I came across a whole twitter quarrel between a famous Spiderman artist and an anonymous (potentially teenaged) “art fixer”. Usually I tend to support or find some kind of explanation or excuse for the underdog- the non-famous, small account, low tier, unrecognized artist rather than the ...

The moment of change in a character is not always crystal clear in a story. Very often the secret to good storytelling I think, is to understand all the structural elements in a story, and a character arc, and then to HIDE those elements so they feel realistic while they ...

Photo: Splinter from Teenage Mutant Ninja Turtles: The Movie (1990)

The year was nineteen ninety when a very life changing film was released into theaters—Teenage Mutant Ninja Turtles: The Movie. Assembled with the help of Jim Henson’s Creature Shop and MC Hammer in the soundtrack, this film brought ...