So Squid Game is a huge hit, and I'm glad I've been a kdrama fan before it was cool, apparently XD (though granted, it's been cool for a good while for a lot of people)

This is not an article about Squid Game, but it offers the ...

Living Forever

Robert Zemeckis, director of Back to the Future, Forest Gump, and Who Framed Roger Rabbit among other great movies, made a more obscure dark comedy called Death Becomes Her. The subject matter involves magic related to living forever…even after you're technically dead.

This has always been ...

It's that turning point in your story.

Something grave has happened, and your main character is having to face a defining moment. A moment where they need to really look inside themselves, and weigh their options of who they are, who they want to be, and what it will ...

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Last time we covered tropes we hated! This time we're talking about clichés we actually like. It's quite a bit trickier because clichés are clichés ...

So often, the story doesn't simply have one plot, but many.

There's the A plot, the one that's the main conflict or problem that needs solving. Then there's the B plot, where secondary but still-important issues and problems are being addressed. And often there can even ...

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Tantz explains why she really hates a bunch of tropes that are super commonly used in things, stuff like very obvious plot armour for the protagonist so ...

So maybe the verb ‘hate’ is excessive, but there are some tropes that can really throw me off a story. Or perhaps, what throws me is the way they are used. I firmly believe that any trope can be part of a solid, enjoyable story, even the ones I hate ...

When I was growing up in the 80s, stories that were marketed as ‘children’s' were occasionally brutal.

Characters got maimed or killed, tortured or traumatized, met with horrid ends in worlds that were anything but rosy. And this was a pattern that wasn't limited to, say, English literature ...

Normally in stories there is the hero vs the villain or the protagonist vs the antagonist. As the audience, we generally expect to root for the hero or the protagonist and hope for the villain's or antagonist's comeuppance.

But there come those times when we find ourselves rooting ...

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There seemed to be a lull for a while after the 1990s and the massive sequel craze of the 80s, but nowadays we're back in full ...