You’ve got your amazing idea down for a story but how do you begin? You want to make your first chapter amazing! This is where you need to lay down some concrete foundations to get your audience main character and why they care about what is happening to them ...

When do you bail on a series, movie or story?

We had a pretty fine conversation on the Quackcast last week that wandered into the category of “endings” and when they're set up well vs badly and such. I had a similar convo today with someone about various series ...

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This Quackcast was inspired by the fan reaction to Game of Thrones, a series that I haven't watched but Tantz and Banes have! Specifically it's ...

Happy June 1st everyone!

I have been youtube-crawling today around the cinema pop-culture side. And as I was watching assorted comments and commentary on a whole lot of YA (i.e. Young Adult) and children's books and TV/film/animation series, from Harry Potter to The Last Airbender to ...

If you want to design a memorable character it doesn’t just stop at their looks. How they speak, write and use body language is integral to who they are as a person as well as how other character’s may react to them. When you read a comic or ...

Didn't Do Nothin'

During the making of the movie Cast Away, Tom Hanks and the screenwriter were developing the story, and
it was going well - other than the ending. In the end, the character was rescued.

Robert Zemeckis, the eventual director of the movie told them that the character ...

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What are the different expectations for female and male audiences? This almost entirely a culture based thing, it changes depending on where and WHEN you are from ...

Guilt is a powerful tool in the creative process.

No, I'm not talking about the guilt you feel because you haven't updated in six months which pushes you to sit down and finish that darn page (though that helps too, we've all been there).

Guilt is very ...

There are going to be times in your life where you will be rejected or subjected to defeat; whether that be professionally, personally or existentially. During these moments it is very easy to fall into a funk that feels impossible to drag yourself out of. So here are some tips ...

I think John Byrne once said he did about two or three pages a day (I believe it was an eight hour workday).

Of course, the length of time a page will require depends a lot on what KIND of comic you're doing! A stick figure comic or sprite ...