Humans can be scary, fascinating, mysterious creatures. Humanity is capable of the most amazing feats of compassion and the most debased acts of cruelty. And not necessarily at opposing ends of the spectrum. The same person can be compassionate in one context and appallingly cruel in another. They may not ...

There's generally a tennet about character building for a villain in a story or webcomic that urges the creator to humanize them by giving them a backstory that “fleshes them out”. Often, “humanization” of a villain is taken to mean that they come across as more sympathetic or appealing ...

It's common knowledge that a solid origin story will make a character. It'll often also make the story being told. Origin stories can be and often are the foundation for characters and plotlines, since motivations, plot points, and even stakes are set in them.

But what makes a ...

A mustache-twirling villain is awesome fun! Someone who basks in their villainy and enjoys every bit of popping the toddler's balloon and kicking the occasional puppy while hatching evil plans.

These villains are the flamboyant main antagonist that makes the story interesting and fun, because we love to see ...

Consider this typical fantasy story:

There was once a young handsome man who was good with the sword, excellent with everyone in the village he lived with, and loved and cherished by all. However, he was unhappy because the one girl he fell in love with did not love him ...

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Retro adventure heroes are an interesting and unique sort of hero. The trope was revived and crystallised by George Lucas and Steven Spielberg with Indiana Jones, but ...

Over the holidays I watched a couple of programs that made me think of “non-traditional heroes”

We've talked about antiheroes multiple times around theduckwebcomics.com of course.

One of the programs was a series called ‘Happy!’ and the other was the movie “Inside Llewyn Davis” by the Coen Brothers ...

Trauma is such a delicious thing in writing- it gives characters their backstories, their motivation, their special slant in a narrative wrok, from novels to webcomics.

However, it's usually considered in the context of how it has made a character ‘damaged goods’. Why they are grim, why they're ...

One of the most prevalent motifs in fantasy, science fiction/ space operas and similar folklore style genres is that of the Chosen One- the one character (99% the main character/protagonist) that is destined to save the world from the big bad- the evil sorcerer, the overlord, the empire, the ...