So I know I got two pending articles to finish up my Religion and my Catharsis series but I'm too tired right now to talk about anything that requires sociopolitical analyses and extrapolations.

So let's talk about hands in comics!

One of the easiest way to mitigate the ...

So for some reason my youtube is being besieged by rant videos over The Little Mermaid live action movie by Disney… AGAIN. You'd think the algorithm would know by now that I only watch ER skits and debunking videos, but here we are.

The controversy (again) is over the ...

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We have a chat about historicity in this Quackcast. What IS historicity? It's historical authenticity basically but a nicer way of saying it! It's pretty ...

One year ago, I was sitting on a carpet in my living room putting the pieces of a World Map puzzle together. The previous Friday, March 13th, started off like any other—daily commute to work—except the constant news on the radio talking about the Ivy Leagues sending their ...

Picking a name for your character is a pivotal moment. Almost like breathing life into them, the name you pick for them will give their identity a hue, a flavor that wouldn't be the same with any other name. Yes, a Rose by any other name would smell as ...

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DD member Furwerk Studios posted in our forum about how annoying it was that movies try and do an 80s retro thing often get things totally wrong ...

Monkey Nukes is a very enjoyable story comic. Once you start it you'll soon be engrossed in the lives and the struggles of the characters as they go about their days, bursting with potential and secrets in 1980s west London… I could go on but Simonmackie explains it far ...

I had a meeting the other day with a director, who asked me “how do you approach a historical era to keep true to it?” and “how do you keep from being biased?”

I fear that I eclipsed the poor guy with my soap box lectures, but that aside, I ...

CATHARSIS
from the Best of Banes Collection


A writing instructor once gave me brief advice on how to write a story, structurally speaking. It was 1/4 Act One setup, 1/2 Act Two complications and rising stakes (I think), and about 1/4 An Act Three “cathartic ending”.

I ...

A discussion at twitter (you should be there! If you haven’t looked for @Drunkduck you should, add DD and you’ll be added back!) brought to my attention a very subtle but very aesthetically and narratively pleasing element that, when we take the time as artists to factor it ...