Apr 5, 2020
In this Quackcast we talk about the differences between genre and setting and what genre really is. For instance: Fantasy and SciFi aren't genres, they're settings… Mostly. It's complicated but they both pretty much USED to be genres, now they're mainly just settings for genre stories to take place in. What does that mean? Well, Fantasy wasn't even considered a genre back in the day, not really till after the success of Tolkien. Later on a lot of writers began using that same style and consumers really wanted it, so it became a “genre”. It was only later on when it graduated out of that to become a setting that has genre stories set within it.
Topics and Show Notes
Scifi was much the same. We backdate the “genre” to Mary Shelly, Jules Verne, HG Wells etc, but that's actually a little silly. SciFi was invented back in the 1920s by publisher Hugo Gernsback as a niche marketing term for his pulp magazines. He bundled together a whole bunch of futuristic stories and works of speculative fiction to sell under that name and created a market for it. That created the genre that people started to write within and to. Now however SciFi is really just a setting that has genre stories within it: detective fiction, nior, action, romance, Western, apocalypse, etc.
This happens when the genre becomes so diverse and ubiquitous that the commonality between stories within it becomes less important than the differences- i.e. the fact that a story is a romance is more significant than the fact it's set in the future, we really don't care too much about the future setting. While in the past it's that future setting which would have been the main selling point.
Think of it in terms of anime, if you have a good familiarity with it. Years ago people thought of anime as a monolithic “genre”, with all the cartoons roughly sharing a lot of themes and styles. This was mainly because only a small amount of it got exported to the west. Now however a massive amount is available and it's very easy to see how different it is. Now “Anime” really only indicates where the cartoon came from, not what kind of product you're going to get.
This week Gunwallace has given us the theme to Just wanna do porn webcomics - A dark room, the air is warm and close. Sweat, passion, heat… the only sound is heavy breathing… as the webcomicer furiously draws the latest issue of their racy webcomic! A lot of moans, vocal distortion and sexy synth music in this one.
Topics and shownotes
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Banes Newspost, webcomics and genre - https://www.theduckwebcomics.com/news/2020/mar/31/webcomics-and-genre/
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O Sarilho - https://www.theduckwebcomics.com/news/2020/mar/31/featured-comic-o-sarilho/
Just wanna do porn webcomics - https://www.theduckwebcomics.com /Just_Wanna_Do_Porn_Webcomics/, by Arspitzer, rated A.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
Mar 18, 2019
There are many kinds love. Love is a great thing to include in your story for all sorts of reasons: it's an easy way to develop characters, give a character something to strive for, it's universally relatable, You can use it for tension, all sorts of things! There are different kinds of relationships you can use as well, not just heterosexual or homosexual relationships and the common trope of showing the beginning of a relationship, you can show crushes, established relationships, platonic relationships, relationships collapsing and exes coming together. For this topic we were loosely inspired by Tantz and Emma's great newsposts about romance and platonic love. We chat about luuuurv and tricks like lurv triangles!
Feb 18, 2019
Hollywood has a tendency to simplify or completely alter stories to make them more mainstream and appealing to their idea of a popular audience. In this Quackcast we thought it'd be fun to run with that idea and re-imagine our works for “Hollywood”.
Aug 21, 2017
Romances don't always have to be the main focus of a story, infact you can have richer, more interesting romances if they occur in support of a bigger plot issue. It can lend them and the story more weight if they're in a secondary position. Characters can form natural, less forced relationships with each other, and this can give the wider plot of the story more urgency or meaning because it has a direct bearing on the health of their union. You can reward fans with a wished for or unexpected blossoming of love between two favourite characters without having the same inevitability that a straight out romance has. Really, there are so many things you can do! This was inspired by Tantz's Saturday newspost. Gunwallace's theme for the week was for Mindfold: A tune that fits very well with its title! You can feel your mind folding with this gorgeous, echoing, evocative multicultural influenced sound, featuring all manner of crystalline ringing synths, soaring violins, drums and so much more. This would fit well with a high concept cyberpunk anime.
Jan 18, 2016
OMFG you sexist PIG! Heh… today we talk about trying to recognise sexism in your OWN work, what to do about it, and WHY. It turns out it can be very hard to do, and if you DO acknowledged it the instinct is to rationalise it away, justify it, or just try and brazen it out in some kind of old fashioned, largely embarrassing, display. I frequently do all three. How do we spot it? Well the Bechdel test isn't that useful, that's better for looking at broad trends not giving specific works a pass/fail - sexy outfits is one thing, if females are dressed minimally or in tight gear in CONTRAST to the males or vice versa - females ONLY having old stereotype roles (maiden/mother/whore archetypes, secretary, nurse, victim, maid etc), though this is context sensitive, i.e. it's more forgiveable if you're doing a historical story or something stylised like a fairytale or a noire story - Gender balance is another thing, it's context sensitive because certain stories will naturally have more of one gender (WW2 submarine crew, Girl's school, a prison story etc), and you don't have to have an exact balance anyway but it's definitely something to THINK about because there is no reason most stories should feature a majority of male characters and a minority of females. WHY should you think about it? Why should you care? Well the audience for almost ALL types of stories, be they action adventure, romance, Scifi, fantasy, historical, even porn, is getting close to 50/50 between men and women these days (maybe it always was?), it really doesn't make sense to alienate or belittle half your audience just because you like to cling to older ways of doing stuff. Gunwallace's theme this week reminds me of a cross between the Knightrider theme and Gunship- it's VERY retro-future. It's the theme to DDSR, a comic with cool custom “sprites”, AKA pixel-art.
Jan 19, 2015
Howdy Pardner, is you ready fer a western adventure? For Quackcast 202 we decided to build on the experiment we started in Quackcast 201. We constructed a play quickly with four people all working together. It took us all 3 hours to write, collaborating on a Google doc and over skype to make a half hour play, and it seems to have turned out pretty nicely! This is the last for now in our writing exercises. We only really show the play here and not the 3 hours of umming and ah-ing as we worked on it, because that was too much to edit down, but if it's something people would like to hear maybe we'll make a condensed version available some time in the future. For now please enjoy our little Western romance, train and bank heist adventure! And Bane's great piano playing! Oh, and the great intro music by Gunwallace called "Solosteel"!
Feb 10, 2014
Come on board for the luurrrvcast! It's shining and new! This is he second and final part of our lurvcast, where we asked contributors to give us their advice, wisdom and opinions on the treatment of love, romance and relationships in fiction within popular media. We had many great replies to Bane's interesting and insightful questions on the subject, which were: How do you approach love, romance and relationships in your comics? Do you find it difficult to write this stuff? Is it easy? What do you like to see, love and relationship-wise, in the comics you read? Do you like it realistic? Angsty? Or do you like it more fantasy-based? What do you NOT like to see? What are some of the fictional couples/relationships you really like? Were there any you thought didn't work at all? Why?
Feb 3, 2014
Romance. Love. L'amour. Ozone and I keep talking about getting the community engaged with our Quackcast topics - The ‘Casts that feature those community posts are always my favourite episodes by far! So we put these questions to our community to see how they'd respond: How do you approach love, romance and relationships in your comics? Do you find it difficult to write this stuff? Is it easy? What do you like to see, love and relationship-wise, in the comics you read? Do you like it realistic? Angsty? Or do you like it more fantasy-based? What do you NOT like to see? What are some of the fictional couples/relationships you really like? Were there any you thought didn't work at all? Why? The replies were interesting, engaging, and enlightening. So join us! All aboard for the LurrrrvCast!