If you want to design a memorable character it doesn’t just stop at their looks. How they speak, write and use body language is integral to who they are as a person as well as how other character’s may react to them. When you read a comic or ...

Didn't Do Nothin'

During the making of the movie Cast Away, Tom Hanks and the screenwriter were developing the story, and
it was going well - other than the ending. In the end, the character was rescued.

Robert Zemeckis, the eventual director of the movie told them that the character ...

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What are the different expectations for female and male audiences? This almost entirely a culture based thing, it changes depending on where and WHEN you are from ...

Guilt is a powerful tool in the creative process.

No, I'm not talking about the guilt you feel because you haven't updated in six months which pushes you to sit down and finish that darn page (though that helps too, we've all been there).

Guilt is very ...

There are going to be times in your life where you will be rejected or subjected to defeat; whether that be professionally, personally or existentially. During these moments it is very easy to fall into a funk that feels impossible to drag yourself out of. So here are some tips ...

I think John Byrne once said he did about two or three pages a day (I believe it was an eight hour workday).

Of course, the length of time a page will require depends a lot on what KIND of comic you're doing! A stick figure comic or sprite ...

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Betrayal is an interesting thing to use in fiction. You can have betrayal of your nation, your organisation, friends, lovers, religion, beliefs, self. In stories it can ...

This is a topic that Ozoneocean suggested to me and I have to say I'm quite intrigued to tackle it and start a conversation perhaps around the concept as a plot device but also as an issue of the relationship of the creators and the audiences.

Betrayal can be ...

When creating a story you begin leading the reader down a path. You know where you’re going, or at least can pretend to know, but the reader does not. But, with some well laid out clues and foreshadowing, they can begin to piece the map together. Now here comes ...

by Frank Miller

SHOWING MOVEMENT

I was talking to my brother about writing scripts for comics and mentioned that I sometimes forget that what I'm writing can't move. I'd start accidentally writing as if it were a movie script, with characters moving around, then realize that I ...