The witch is different than a sorceress, though their affinity with magic and their powers often can overlap: the sorceress carries status; the witch carries fear.

It's not that the sorceress is not potentially feared or the witch is not potentially respected- it's that the core of their ...

The Holy Man or Woman may be within the clergy, but that isn't necessarily the case.

They are simply the person that has found enlightenment, or self actualization, depending on how secular your story (and your approach) is.

They are the character that doesn't have all the answers ...

The Sorceress is a powerful figure in fiction, just like the Priest/Priestess/Clergy.

In works where magic or God are present and in direct communion with the characters, both can perform miracles, or otherwise astounding feats beyond normal mortal limits.

In works where there is no magic or God ...

There are many tropes and many archetypes that we use for character designs. I had a couple of years go (have I really been at it this long!?) done a series of articles on the standard character type/functionality archetypes.

I'm thinking it's high time to explore archetypes ...

There is a reason why in fanfiction archives there's a whole category of stories called “hurt/comfort”, where one of the main characters of a specific IP is injured, and others (usually an unlikely person or whoever the author is shipping with the injured one) have to take care ...

I've talked a lot about motivations in my articles. And how could I not? My scientific field aside, what makes us behave in certain manners or way is a question that has occupied entire schools of thought in psychology, philosophy, political science, even AI and (bio)chemistry.

There are ...

Whether we have free will or not is a philosophical, existential and psychological conundrum that will forever tease and challenge us. While I can't speak for philosophers, I can for psychologists:

Behaviorists will tell you it doesn't exist (look up Skinner); Cognitive behaviorists will tell you it's ...

What made a character be who he/she is? What is it that drives them, and why?

That's the allure of any origin story: we get to see how characters we look up to or love or love to hate came to be who they are.

Most, if not ...

There are the mustache-twirling villains, that enjoy being evil. They're deliciously fun!

Then there are the nutjob villains. Those that are basket cases one way or the other, psychopaths or antisocial, unfettered madmen with a logic of their own that wreaks havoc upon the world. They're also very ...

Usually in adventures, thrillers and other stories, when the main characters are romantically involved, the B plot (or even the A plot) is the ‘will they/won’t they' question: will they get together in the end, usually with a happy end scene of marriage, or some such thing. Romance ...