What is real, really?

Can we trust our senses that what information they are giving us is objective? There are many thinkers and philosophers that posit we cannot. That as long as the messages get to our brains, it feels real even if it isn't.

If we can't ...

Unless they are an old-timey Disney villain or similarly classic cartoon villain, nobody wants to be evil or bad starting off. Nobody's ambition is to be the villain in their own story. (note I say ‘villain’ and not ‘antagonist’)

Everyone is out to be the hero.

So why aren ...

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Finally we got to the five hundredth Quackcast! Wow! That's so many. We've been doing these for 10 years now. That's a long running ...

The witch is different than a sorceress, though their affinity with magic and their powers often can overlap: the sorceress carries status; the witch carries fear.

It's not that the sorceress is not potentially feared or the witch is not potentially respected- it's that the core of their ...

The Sorceress is a powerful figure in fiction, just like the Priest/Priestess/Clergy.

In works where magic or God are present and in direct communion with the characters, both can perform miracles, or otherwise astounding feats beyond normal mortal limits.

In works where there is no magic or God ...

There are many tropes and many archetypes that we use for character designs. I had a couple of years go (have I really been at it this long!?) done a series of articles on the standard character type/functionality archetypes.

I'm thinking it's high time to explore archetypes ...

Raymond is a hardboiled, hard bitten, old style private dick. He's headstrong and goes after leads like a bloodhound. Thankfully his secretary has a calmer head on her shoulders and is there to back him up when he gets into trouble. The problem is that the leads he's ...

Greetings, Fowl Fiends. It is I, the spectral lamentation known as PIT-FACE!
I have been torn from my lurid sepulcher to inform you dreadful Ducks that your votes have been cast! Behold your ill-fate! The theme for the Drunk Duck anthology is:

HORROR!


That’s right, it’s time to ...

Understanding the importance of the dialogue between two characters (or an internal monologue) is crucial for writing conversations in comics. It is true that comics are written differently than real world conversations because it removes a lot of the idiosyncrasies that happen in real-time conversations. However, learning to apply techniques ...