Game of (Sticks and) Stones

I heard about the new Dave Chappelle special, Sticks and Stones, and couldn't wait to finish the long work day to get home and watch it.

A lot of it was hysterical and I was laughing loudly, sounding like some kind of sick donkey ...

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How about having it so anyone in your story can die?
Let me explain: It's fake. NOT just anyone can die OK? Your main character will ...

The original story of the Dark Crystal was released in 1982 by the Jim Henson company. It was a viewing staple for many children who are now adults with a dark, yet hopeful storyline. It was a story about balance with the mystic Urus contrasted against the devious Skesis. There ...

In a story when any character is plausibly eligible to die, the stakes are high. We worry for everyone, even main characters than in other stories wouldn't be on the chopping board at all. It's a great premise to have for your story setup, because it makes the ...

When my writing partner and I were penning the beginnings of issue 0 of The Constellation Chronicle we designed two characters Marcel and Wainwright. We wanted to introduce the looming threat that was barreling towards the main cast and the most convenient way to do that was through these two ...

Unreliable

Last week we talked a little pov basics.

This time, how about we talk the fascinating device called the Unreliable Narrator. For anyone who doesn't know, this type of narration (usually first person in prose, but not necessarily) tells the story in question…but is not necessarily giving ...

Hello,

Starting in September, I am running a Kickstarter to fund a print run of my comic Demons in the Darkness.

Demons in the Darkness is a horror story inspired by my time in High School being bullied.

I am looking for anyone willing to donate any art or digital ...

Ozoneocean suggested this topic, and I am intrigued to explore it.

I've made a good few posts about assorted drama in the comic world, especially between different factions and concerning different approaches to the art. Often that is addressed from a strictly ideological point of view. But today I ...

The lifeblood of your comic is the characters in it. They offer a way for the audience to be invested in the world and contextualise any conflicts that will inevitably occur. So it is important that the characters don’t come across as flat. A flat character is one dimensional ...

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Today we compare and contrast two ways of making characters: starting with a pure archetype and building it with tropes, or creating a character organically through circumstance ...