CATHARSIS
from the Best of Banes Collection


A writing instructor once gave me brief advice on how to write a story, structurally speaking. It was 1/4 Act One setup, 1/2 Act Two complications and rising stakes (I think), and about 1/4 An Act Three “cathartic ending”.

I ...

Welcome to part two of a twenty-seven part series about outlining simple comedy plots!

Who is the Hero
What Does the Hero Want?
The Door Opens
The Hero Takes Control


So last week we went over the first two items. A particular character who wants something on a surface level ...

Starting with Jung’s archetypal motifs, I think it’s best to remind why they’re called ‘archetypal’ first:
Archetypal motifs replicate themselves in stories across time and culture, in all human endeavors to create.

Motifs in general are tokens in a story that appear several times and symbolize something ...

Well last week we had chaos and disruption, so reckon it's high time we reestablished some order around here. And to do that ya need rules, right?

Rules. Yeah… Oh boy.

Well fine, we ain't got to call it “rules”; we can think of it as a set ...

A character will stay stuck in their ways if they can, just like a real person tends to. It takes effort to move forward and achieve things. And we resist.

In the beginning of a story, a character might feel comfortable where they are, but they are usually incomplete in ...

Deep in the forest lives a pale, white squirrel (that might not be a squirrel at all) and it instills fear in the hearts of the country folk who believe it to be an evil beast. The prince of the kingdom has vowed not to marry a bride until the ...

Stuck in the Middle - Midpoints

I've often found the Midpoint of a story difficult to find and difficult to write.
It's one of the big three pillars in story structure, and it's the
most subtle.

The Midpoint doesn't have the “dragged into a new world” of ...

So, I tend to be long-winded. The mark of a historian, probably, or I maybe I just love to hear myself talk. But rarely does that become so evident to me as when I’m turning my comic script into actual comic pages. Suddenly what seemed like a brief remark ...

A story can be strengthened by coordinating the first and final images in some way.

It's not a hard and fast rule; it's not a rule at all. But it can be worth trying out in your writing!

The movie Halloween (there it is! I had to start ...

This newspost is inspired by ozoneocean’s recent thread and quackcast about evoking emotion. I've recently been struggling with the opposite issue in my own comic. The whole project is really just a light-hearted excuse to draw my favourite things and write odd characters, but it's also held ...