So you have uploaded your latest page, and it's one of your best.

The story is at a point where the suspense is cranking up to eleven. The plot thickens. Everyone wonders what is going to happen next…

…and then that one fan GETS IT RIGHT. Right there in ...

Sometimes the arch villain of the story is the one pulling all the strings in the background, and the protagonists don't know about them until the endgame.

And other times, the arch villain gets to clash with a protagonist (or an opposing character) that is also a mastermind pulling ...

Who doesn't love a good intrigue, some scheming in the shadows, some low chuckling behind a curtain?

The author.

It's the author that doesn't love it. Or rather, the sheer background work that needs to go into writing a good scheming plot, counter plot, and the whole ...

So you have this badass character, who is usually a gentle soul, or affable, or kind and easygoing. They fight efficiently and are formidable as they are.

Until they meet someone who is their better.

He/she can meet all their attacks, break through their defenses, wears them down to ...

Protagonists are always in need of antagonists.

Usually, those are visible, concrete, specific: the protagonists are up against someone or someones who are obstructing their way to attaining their goal. Some are even so powerfully clashing against each other that they are nemeses. Superman and Lex Luthor, Batman and the ...

When we think of a Protagonist, the standard type that comes to mind is the underdog, maybe a young character who goes on a difficult journey and learns some lessons and faces many challenges, or a capable person who gets in way over their head in some kind of intriguing ...

There is a gripe that I have when it comes to romance. It might be the reason I don't really like reading romance as a genre, and while I am aware that not all works in the romance genre are like this, there are too many for me to ...

When building tension, it's imperative to have high stakes within your story. It doesn't matter what kind of story it is. It could be a story about huge risks, like the end of the world or even the universe, or it could be a story about a girl ...

A core principle of the works of horror mangaka Junji Ito, is the mundane and everyday only backwards. This concept is perfect for short stories as there is no need, or time, to explore lengthy explanations for the uncanny. Events are as they appear which renders them all the more ...

Usually in adventures, thrillers and other stories, when the main characters are romantically involved, the B plot (or even the A plot) is the ‘will they/won’t they' question: will they get together in the end, usually with a happy end scene of marriage, or some such thing. Romance ...