A subplot is a co-current narrative that runs alongside the main plot, often providing context, character development or further world building. They can be used to build further tension, explore other perspectives or themes.

The theme is what the overall story means. A subplot allows you to lend more emotional ...

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The Mandalorian on Disney Plus is a very popular series, it's particularly known at the moment because of the “fanservice”, i.e. fan rewards in the ...

I couldn't have been older than 11 when I read The Flaming Heart of Danko by Maxim Gorky. And boy, did it cut me with the finest of fine glass. Even now thinking about the short story hurts somewhere deep in my soul.

And yet, I love it so ...

Plenty has been said about giving characters flaws - we've talked about it around the site, on the Quackcast and out loud, to ourselves, on the bus and in the park.

Characters gotta have flaws!

But something I've thought about more lately, in the years well after starting my ...

The chances are high that creating comics was something worthwhile after reading the daily newspaper “funnies” section; or reading a few panels of the Sunday comics after it had been used as gift wrap for a birthday present; or it could have been as simple as reading a printed comic ...

Unless they are an old-timey Disney villain or similarly classic cartoon villain, nobody wants to be evil or bad starting off. Nobody's ambition is to be the villain in their own story. (note I say ‘villain’ and not ‘antagonist’)

Everyone is out to be the hero.

So why aren ...

Anemoia describes the feeling of missing a time never experienced personally. Movies know how to inspire this feeling whenever a particular orchestra song from the previous century is played during a period piece of a Miami nightclub from the 1950s or whenever synthesizer pop and electric guitar solos transports people ...

When building tension, it's imperative to have high stakes within your story. It doesn't matter what kind of story it is. It could be a story about huge risks, like the end of the world or even the universe, or it could be a story about a girl ...

stretchin' out them stories!

I think I first heard the phrase “uncompressed storytelling” via the great John Byrne, comic artist and writer, and man of very strong opinions. He was criticizing some other writer or comic series (I don't remember which one) about hinting at stories that wouldn't ...

Whether it be planned from the beginning, or a sudden decision, some characters just have to go. As a creator, one should endeavour to do it for the right reasons. Shuffling off this mortal coil may be a catalysing event for the plot, a much needed kick for the protagonist ...