In comics, as in life, characters will come and go in your story. However, how does one go about introducing them in an organic way? Sticking the landing of character introductions can make or break how memorable they are. So here are three things to consider when introducing a new ...

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In today's cast we're chatting about LOVE stories! This isn't a subject we get into much but it's a huge genre so we ...

We've all seen the cringy dialogue. The weirdly stereotypical and awkward situations. The sheer effort of the script writer, the novelist, or the comic book writer to write someone they don't know: a woman, or a man.


Too often the problem is very stark when comparing character designs ...

Protagonists are always in need of antagonists.

Usually, those are visible, concrete, specific: the protagonists are up against someone or someones who are obstructing their way to attaining their goal. Some are even so powerfully clashing against each other that they are nemeses. Superman and Lex Luthor, Batman and the ...

Creating believable and engaging dialogue is key when creating a story. It’s not only used to convey important plot information, but also emotions, motivations and rapport amongst the cast.

Dialog can be an effective way to convey information or raise conflict that maintains the momentum of the comic. The ...

This might be a simple question, but I think it’s much deeper than most think.

Characters, whether they’re our own or not, have an origin, have traits, personalities, ideas, morals and goals. Each one is different and all of them share a similarity: their creator.

We can all ...

When talking about personality, one must mention Freud.


pictured here with a small cigar.

Yes, even me. (Anyone who knows me knows I'm not a fan)

Despite my personal thoughts about his theory, mad props and respect has to be given to Sigmund Freud for being one of the ...

So we've talked often about how letting a character die in a story is something that should be used very frugally, because once death occurs, it should be permanent. In most settings, death shouldn't be something that is reversible. If not, it will lose its impact, and the ...

When a character the story's cast and audience identify and are familiar with dies, the effect is, or should be, monumental.

Not only because that effectively ends that character's journey (and arc), but also because as an event it has immediate ramifications for all the surviving characters.

First ...

I’ve been getting back into reading epic fantasy novels. Grand worlds, exotic locations and, of course, an ever increasing cast of characters. As I am one to never stop taking notes, even when I’m trying to chill, here are some things I noticed about introducing new characters that ...