One of the things I love the most about comics, is the prep work, which may not be obvious by the countless amount of times that I’ve stated that I’m doing absolutely no prep work as of now for Scorned; but when I worked on Scarred Eden, that ...

The other day I happened upon a movie called Primer from 2004. It's well regarded for how original it is and also for being made for only 7,000. That's a shockingly low price, even for low budget films.

I enjoyed it, though I found it a tough ...

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Today we chat about the disappearance of another Drunkducker. This fellow was a politician in his daily life and a furry in his downtime. On DD he ...

Guest post by Genejoke

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In the time I've been making comics, until recently that is, I'd never made a fan comic. It's something I've considered but always felt more comfortable doing my own thing, much like Banes talked about in his newspost a couple of weeks ...

So over here on Greek TV, there's this very popular drama series that happens to be set in a Greek mainland village in the 1950s, and sells itself as ‘authentically representing an era’. It started off very promising, as a crime drama + family drama kind of story where three ...

Last week, we took a look at what a prologue was and how it could be used. Just to catch you up, a prologue is an opening of a story, or in this context, a comic, that establishes the scene, theme and/or tone of the rest of the narrative ...

What's in the Box?

An iconic part of the movie Pulp Fiction is the McGuffin that Jules and Vincent deliver to their boss, Marcallus Wallace. It's a briefcase that, when you open it, glows on the face of the person looking at it and absolutely astonishes them. Is ...

I had a meeting the other day with a director, who asked me “how do you approach a historical era to keep true to it?” and “how do you keep from being biased?”

I fear that I eclipsed the poor guy with my soap box lectures, but that aside, I ...

Throughout literature and modern media, many faults and drives for leads, damsels and villians have often been motivated by a tragic backstory so much so, that to employ one for your story may appear trite or cliche. There is, however, a way to use a tragic backstory effectively and can ...

I have made comics’ storylines both ways- flying by the seat of my pants and meticulously scripting everything. So I feel I’m in a position to say that while both methods are valid and extremely fun, the latter one has one advantage over the former: it can make the ...