Having discussed a general approach to writing characters with mental disorders (with a lot of thoughtful comments by you further enriching what I had to say!) it's only right that we wrap up this very quick analysis with an example of a story that properly portrays them.
I chose ...
Writing Mental Illness: A Good Example (Part 3)
Tantz_Aerine at 12:00AM, Feb. 9, 2019The Benefit of Trauma
Tantz_Aerine at 12:00AM, Sept. 22, 2018
Trauma is such a delicious thing in writing- it gives characters their backstories, their motivation, their special slant in a narrative wrok, from novels to webcomics.
However, it's usually considered in the context of how it has made a character ‘damaged goods’. Why they are grim, why they're ...
Drawing the Line
Tantz_Aerine at 12:00AM, July 14, 2018
We live in a world that can be exceedingly beautiful or appallingly harsh, and everything in between. And as art reflects one's experiences, emotions and questions about this world, it's unavoidable that both the themes of amazing beauty and the themes of absolute terror, disgust and horror will ...
That Damn Amnesia
Tantz_Aerine at 12:00AM, Sept. 30, 2017
Amnesia is a very frequently used plot device in narrative works, especially in genres like romance or mystery or melodrama. It’s a perfect way to achieve either of the following (or all):
(a) Draw out a story that should have wrapped up already
(b) Reuse a character’s ‘naïve ...
Diminishing Returns
Banes at 12:00AM, Sept. 28, 2017
Emotional Charges and Diminishing Returns
Many writing methodologies suggest mapping out the emotional change of each scene. The scene either starts positive, and goes to either negative or “extra positive”, or starts negative and goes to positive or “extra negative” by the end of the scene.
So if a lovelorn ...
How Much is Just Right when it Comes to Shock Value?
Tantz_Aerine at 12:00AM, Aug. 12, 2017
Having decided that shock value is needed in your comic and you must scare, disgust or generally traumatize your audience in some way in order to get the emotional reaction to serve your theme and your subject matter, how do you decide when and where to draw the line? (note ...
HOME v. AWAY: where to work?
HyenaHell at 12:00AM, May 5, 2017
Typically I work on my comics and illustration at home in my studio. I know I'll have everything I need on hand, for one. Also I hate and mistrust almost everyone and everything, as working in the service industry for the majority of my adult life has left me ...
Start... Uh... Where?
HyenaHell at 1:02AM, Feb. 10, 2017
Huh. You're still here? I'll be damned.
Well then. Let's just go ahead and pick up where we left off last week, which if I recollect, was the beginning. Or at least, that's where you stepped into my world. Now, how you think about beginnings has ...
Diminishing Returns
Banes at 12:00AM, Dec. 15, 2016
Emotional Charges and Diminishing Returns
Many writing methodologies suggest mapping out the emotional change of each scene. The scene either starts positive, and goes to either negative or “extra positive”, or starts negative and goes to positive or “extra negative” by the end of the scene.
So if a lovelorn ...
Character and subtext in horror
Banes at 12:00AM, Oct. 20, 2016
The Drunk Duck Awards, 2016 are underway! Check 'em out here:
http://www.theduckwebcomics.com/Drunk_Duck_Awards_2016/
In the movie “The Innkeepers”, two clerks in an allegedly haunted hotel work on the last night before the place closes down. They deal with some odd final guests, both human and otherwise (maybe ...