Last week I talked about structure in webcomics, and asked you about how you make your longer-form comics digestible by new readers as well as ongoing readers.

But what about other alternate ways to present a webcomic?

Most of the ones I've read are roughly the dimensions of a ...

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Today we're getting all META and interviewing the creator of another webcomics podcast! Jamais Jochim is the host of Webcomics Reviews and Interviews! It's a ...

We've talked many times about story structure and different elements of it. But what about structure that's specific to web comics?

If someone does a “gag” or standalone series of strips, it's one thing - but there are still questions to answer. Like, do you have a character ...

Here is the scene:

It is pitch black, sitting in a movie theater, the lights go out and the feature film is only minutes away from beginning. The trailers begin playing and the first one is half way memorable. Then the next trailer comes on and I see a man ...

There is a very important relationship between humor and horror.

Bill Hader credits sixteen-year-old, Finn Wolfhard, for his meeting with the casting director in the latest installment of the Killer Clown franchise featuring Pennywise, It: Chapter Two. If that was not enough, he has joked in several interviews how he ...

In a story when any character is plausibly eligible to die, the stakes are high. We worry for everyone, even main characters than in other stories wouldn't be on the chopping board at all. It's a great premise to have for your story setup, because it makes the ...

When my writing partner and I were penning the beginnings of issue 0 of The Constellation Chronicle we designed two characters Marcel and Wainwright. We wanted to introduce the looming threat that was barreling towards the main cast and the most convenient way to do that was through these two ...

Points of View - part one

In literature, we know there are several points of view that can be used by the author. First person (everything is ‘I did this, I did that’), Third person limited (he does this, she does this, we can see the thoughts of only one character ...

I remember way back in the day, hearing a writer on the cartoon ‘King of the Hill’, who'd been a writer on ‘The Simpsons’ saying that on the Simpsons, is was all about how many jokes you could get in a scene…in a page…and even how many ...

Time travel is a narrative trap. It's quicksand.

It's very alluring to use, being able to put a person from one historical era into another and watch as shenanigans ensue, but very quickly, a writer (and often the audience too) discovers that it quickly unravels, and the story ...