As a sector of the working world scrambles to see how they can move a typical work day to a computer screen, observing a population of people stumbling to transition to face-to-face video conferencing apps like Zoom has been like watching the first ten seconds of an infomercial—the transition ...

One could say that it is a very trendy thing in writing, be it for movies or for graphic novels, to subvert expectations. Often, unfairly, a plot that subverts expectations is equated with ‘good, quality writing’. Tons of essays and articles have been written to refute this association, including here ...

Sitting back on a Friday evening, remote control in hand, I decided to watch one of the latest Pixar Animated short films. To me a short film is the perfect length of time (six to nine minutes) to tell a story with an exposition, rising action, climax, and resolution. They ...

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Today Banes and I chat about our top tips for doing ...

In a nutshell, exposition is a big ole mound of information that the author wants the reader to know before they move on in the plot. It often gets a bad rap but that is usually due to it being used incorrectly. There is definitely a place for exposition so ...

This is the final part of Genejoke's epic on creating 3D Comics.


Part 4


Da finale


Lighting and rendering.


This will be the final part as there are definite limits to what can be conveyed just through the written word. I will start a video tutorial series in the ...

This is a guest post by El Cid, who was kindly enough to write one for us.

Check out El Cid's Transneptunian! (nsfw)

https://www.theduckwebcomics.com/TransNeptunian/



I don't personally view horror so much as a genre, but rather as an ingredient. A little dash of horror ...

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In THIS Quackcast we chat about shots! The kind you get from a camera… Long short, bird's eye view, worm's eye view, high angle, low angle, wide angle, fish eye, close up, ultra close up… You can use them to set the pace of the narrative, increase ...

Ironically, no picture this time…and it's a Newspost about pitchers!


Beyond writing our stories and characters, figuring out our plots and dialogue and character design, and all the other stuff that goes into creating a comic, we have to choose our shots. Our camera angles.

Very much like ...

We all talk about the sheer necessity to create characters that don't appear cardboard, that are fleshed out, that generally feel like real flesh-and-blood, living, breathing people (regardless of your character's species or nature) with personalities that ring true to the audience.

There are several elements that contribute ...